This chapter takes the preoccupation with empathy in Australian documentaries advocating for asylum seekers as a point of departure to look at alternative modes of responding. The focus here is on audience responses to \u27Freedom Stories\u27 (Steve Thomas 2015) that uses the community screening model, and puts the spotlight on former refugees who are now Australian citizens. Reactions to the film, recorded through a pilot study at the University of Wollongong, are analysed through the lens of Roger Silverstone\u27s notion of \u27proper distance\u27 in an attempt to unpack the difference between spotlighting one\u27s own feelings (or the conventional use of \u27empathy\u27 in humanisation discourses), and perceiving the feeling of the other...
This article analyses Australian audio-visual treatments of contemporary refugee experiences of the ...
Tom Zubrycki's documentary film Molly and Mobarak (2003) and John Doyle's television mini-series Mar...
This chapter centralizes questions of visibility regarding contemporary refugee movement by focusing...
The present chapter follows a similar call to ethical responsiveness of visual material, albeit in t...
In this chapter, I use the public question-and-answer (Q&A) session after a screening of the Austral...
In this chapter, I use the public question-and-answer (Q&A) session after a screening of the Austral...
This chapter takes as its premise the assumption that in order to effect wider socio-political chang...
Representing stories through documentary film can offer a means to convey multilayered and sensory a...
Representing stories through documentary film can offer a means to convey multilayered and sensory a...
Inspired by Robert Dixon's volumes on visual culture, colonial modernity and the Pacific, this artic...
This chapter looks at the way the media in the developed world portray refugees and asylum seekers. ...
This article analyses Australian audiovisual treatments of contemporary refugee experiences of the A...
The article considers one dominant tendency of independent filmmaking, and its impact on the treatme...
The article considers one dominant tendency of independent filmmaking, and its impact on the treatme...
Heather Kirkpatrick’s Mary Meets Mohammad is a noteworthy case study of an Australian documentary fe...
This article analyses Australian audio-visual treatments of contemporary refugee experiences of the ...
Tom Zubrycki's documentary film Molly and Mobarak (2003) and John Doyle's television mini-series Mar...
This chapter centralizes questions of visibility regarding contemporary refugee movement by focusing...
The present chapter follows a similar call to ethical responsiveness of visual material, albeit in t...
In this chapter, I use the public question-and-answer (Q&A) session after a screening of the Austral...
In this chapter, I use the public question-and-answer (Q&A) session after a screening of the Austral...
This chapter takes as its premise the assumption that in order to effect wider socio-political chang...
Representing stories through documentary film can offer a means to convey multilayered and sensory a...
Representing stories through documentary film can offer a means to convey multilayered and sensory a...
Inspired by Robert Dixon's volumes on visual culture, colonial modernity and the Pacific, this artic...
This chapter looks at the way the media in the developed world portray refugees and asylum seekers. ...
This article analyses Australian audiovisual treatments of contemporary refugee experiences of the A...
The article considers one dominant tendency of independent filmmaking, and its impact on the treatme...
The article considers one dominant tendency of independent filmmaking, and its impact on the treatme...
Heather Kirkpatrick’s Mary Meets Mohammad is a noteworthy case study of an Australian documentary fe...
This article analyses Australian audio-visual treatments of contemporary refugee experiences of the ...
Tom Zubrycki's documentary film Molly and Mobarak (2003) and John Doyle's television mini-series Mar...
This chapter centralizes questions of visibility regarding contemporary refugee movement by focusing...