Characters, village, Faith and Art in narrative prose of Stjepan Džalto published in 1970 – 1990 period

U radu se proučava prozni opus hrvatskog književnika iz Bosne i Hercegovine Stjepana Džalte nastao i objavljen u razdoblju komunizma između 1970. i 1990. Riječ je o trima zbirkama priča i trima romanima. Džaltina proza prepoznaje se kao proza nastala u kombinaciji stila tradicionalne usmene i pučke književnosti i autorsko-umjetničkog oblikovanja. Njezine formalne vrijednosti jesu vrsna i slikovita naracija, realističko-naturalistički opisi seoskog života, anegdotalnost, živi dijalozi, unutarnji monolozi te jezik pun izražajnih bravura. Pisac jezični iskaz gradi u velikoj mjeri na oponašanju svakodnevnog stilski izraženog regionalnog parole te na humorističkom parafraziranju poslovica i raznih drugih oblika pučke jezične baštine i komunikacije. Mjesto radnje u pravilu je zabačeno hrvatsko-katoličko selo-župa u Bosni, u kojem se događaju tipične međuljudske drame, tragedije i katarze. Selo i ljudi u njemu suočavaju se s teškim izazovima, od bijede i alkoholizma, preko ateističke indoktrinacije i represije komunističkog režima do krupnih promjena koje donosi ekonomski razvoj povezan s odlaskom seljaka na rad u bogatu Njemačku. Proza je prožeta kritičnošću prema negativnostima u ljudima i društvu, ali i kršćanskim duhom, katoličkim vrijednostima i moralnim kriterijima. Kritika i satira nemaju zadnju riječ, nego ju imaju iskustva života kao cjeline. Niz „negativaca“ doživljava prije smrti moralno-religiozno obraćenje i skrušeno se vraća katoličkoj vjeri i, time, prethodno gaženoj ljudskosti. Džaltina proza znači obogaćenje i proširenje spektra hrvatske i bosanskohercegovačke proze tog razdoblja.In this article, the prose oeuvre of the Croatian writer from Bosnia and Hercegovina, Stjepan Džalto, written and published in the period of Communism, between 1970 and 1990, is reviewed. It’s three story collections and three novels. Džalto’s prose is recognized as a prose created in the way of combining the traditional oral and folk literature as well as the author’s artistic shaping approach. Formal merits of this prose are distinguished and picturesque narration, realistic-veristic descriptions of the rural life, anecdotal features, vivid dialogs, inner monologues, as well as wording full of expressive phrases. The writer builds his prose text mainly by echoing an ordinary, stylistically intensified parole as well as by humorously paraphrasing proverbs and other forms of folk linguistic heritage and communication. Usually, the scene is a detached Croatian-Catholic village-parish in Bosnia, where typical situations, conflicts, tragedies and catharses happen. The village and its inhabitants are confronted with serious challenges, from misery and alcoholism, over atheistic indoctrination and repression by the Communist regime and its servants to the big changes caused by the economic development; peasants began to leave, temporarily, for the rich Germany as guest workers. This prose is permeated with critical attitude towards negative appearances within people and society, though with Christian spirit, Catholic values and moral criteria as well. Not criticism and satire, but experiences of lives as wholes would have the last word. A lot of ’villains’ happen to come to the moral-religious, inner conversion before they die, returning ruefully to the Catholic faith of their community, and, in that way, to the previously despised kindness. Džalto’s prose, now re-evaluated, represents an enrichment and broadening of the Croatian and Bosnia-Herzegovinian prose spectrum in the said period