Add to ORKGHeyder JC. Same, similar, semblable – Languages of Connoisseurship. Journal of Art Historiography. 2017;16: 16/JCH1
From the late eighteenth century to well into the nineteenth century, writers—whether by accident or...
Picturesque is a term which owes part of its historical success to its ambiguity, signifying both an...
In der vorliegenden Besprechung von Peter Paul Rubens’ Lehrschrift De imitatione statuarum (um 1610)...
The introduction seeks to concretize and expand on crucial connoisseurial practices such as comparin...
The introduction seeks to concretize and expand on crucial connoisseurial practices such as comparin...
At first glance, the relationship between work and title appears to be exhausted: for works of art a...
It is yet unknown if, in the foreseeable future, thanks to rapid increases in artificial intelligenc...
Einfluss von Kunstexpertise auf die Verarbeitung und Bewertung von Kunst konnte schon mehrfach gezei...
Zwei Fragen bilden den Ausgangspunkt: Ist es möglich, eine allgemeine und 'wirksame' Methode zur Kun...
The second half of the nineteenth century was a crucial period for the consolidation of art history ...
This essay explores how connoisseurship and formalism from the late nineteenth until the middle of t...
This is the first book by Julius Schlosser to appear in English. Written in 1907, it offers an excel...
The key questions posed in this dissertation are centred on the interaction between spectator and...
Beginning with the work of anthropologist and prehistoric archaeologist Johannes Ranke, the article ...
While I was working on the evolution of Austrian Gothic panel painting, I realized that the whole ma...
From the late eighteenth century to well into the nineteenth century, writers—whether by accident or...
Picturesque is a term which owes part of its historical success to its ambiguity, signifying both an...
In der vorliegenden Besprechung von Peter Paul Rubens’ Lehrschrift De imitatione statuarum (um 1610)...
The introduction seeks to concretize and expand on crucial connoisseurial practices such as comparin...
The introduction seeks to concretize and expand on crucial connoisseurial practices such as comparin...
At first glance, the relationship between work and title appears to be exhausted: for works of art a...
It is yet unknown if, in the foreseeable future, thanks to rapid increases in artificial intelligenc...
Einfluss von Kunstexpertise auf die Verarbeitung und Bewertung von Kunst konnte schon mehrfach gezei...
Zwei Fragen bilden den Ausgangspunkt: Ist es möglich, eine allgemeine und 'wirksame' Methode zur Kun...
The second half of the nineteenth century was a crucial period for the consolidation of art history ...
This essay explores how connoisseurship and formalism from the late nineteenth until the middle of t...
This is the first book by Julius Schlosser to appear in English. Written in 1907, it offers an excel...
The key questions posed in this dissertation are centred on the interaction between spectator and...
Beginning with the work of anthropologist and prehistoric archaeologist Johannes Ranke, the article ...
While I was working on the evolution of Austrian Gothic panel painting, I realized that the whole ma...
From the late eighteenth century to well into the nineteenth century, writers—whether by accident or...
Picturesque is a term which owes part of its historical success to its ambiguity, signifying both an...
In der vorliegenden Besprechung von Peter Paul Rubens’ Lehrschrift De imitatione statuarum (um 1610)...