"Born in Montreal in 1930, he studied drawing at a very early age. At fourteen, [sic] years old, he used to spend all his free time in studio of a Montreal Ceramist [sic]. After his senior matriculation, he attended the Montreal School of Fine Arts." -- p. [2]
Interview with artist Leopold Plotek, discussing his early career after his studies at McGill Univer...
Aquin links Marois' works to the Quebec abstract tradition and to the movement to redefine painting....
Through a brief history of the various functions of drawing, Blouin presents contemporary works whic...
"Born in Montreal in 1930, he studied drawing at a very early age. At fourteen, [sic] years old, he ...
Sarrazin highlights the revolutionary spirit of Trudeau's sculptures while De Roussan focuses on the...
Sarrazin brings to light plausible events that may have influenced Trudeau, while De Roussan writes ...
Jansma recounts the events of Forster's career and examines such matters as Toronto in the 1930s, th...
Discussing the inherent qualities of the medium of drawing, Parent situates the works of 40 artists ...
This catalogue documents sculptural works created by the Montreal artist from 1980 to 1997. Gosselin...
Detail, one of the allegorical figures of the facade; A school of drawing and painting has existed i...
Cordey Jean. Gabriel Rouches. La peinture espagnole. T. Ier : Le moyen âge. Paris, éditions Morancé,...
Molin Vasseur compares the work of 14 artists represented by Grünwald Gallery (Toronto) and Aubes 39...
Martin considers the conditions of painting, intention and meaning in his work. Saxe defines his pro...
Thom describes Trudeau's work with reference to his methods, including collage, and his use of histo...
Defining the art of the 20th century as the art of the new, Aarons accounts for nine young Canadian ...
Interview with artist Leopold Plotek, discussing his early career after his studies at McGill Univer...
Aquin links Marois' works to the Quebec abstract tradition and to the movement to redefine painting....
Through a brief history of the various functions of drawing, Blouin presents contemporary works whic...
"Born in Montreal in 1930, he studied drawing at a very early age. At fourteen, [sic] years old, he ...
Sarrazin highlights the revolutionary spirit of Trudeau's sculptures while De Roussan focuses on the...
Sarrazin brings to light plausible events that may have influenced Trudeau, while De Roussan writes ...
Jansma recounts the events of Forster's career and examines such matters as Toronto in the 1930s, th...
Discussing the inherent qualities of the medium of drawing, Parent situates the works of 40 artists ...
This catalogue documents sculptural works created by the Montreal artist from 1980 to 1997. Gosselin...
Detail, one of the allegorical figures of the facade; A school of drawing and painting has existed i...
Cordey Jean. Gabriel Rouches. La peinture espagnole. T. Ier : Le moyen âge. Paris, éditions Morancé,...
Molin Vasseur compares the work of 14 artists represented by Grünwald Gallery (Toronto) and Aubes 39...
Martin considers the conditions of painting, intention and meaning in his work. Saxe defines his pro...
Thom describes Trudeau's work with reference to his methods, including collage, and his use of histo...
Defining the art of the 20th century as the art of the new, Aarons accounts for nine young Canadian ...
Interview with artist Leopold Plotek, discussing his early career after his studies at McGill Univer...
Aquin links Marois' works to the Quebec abstract tradition and to the movement to redefine painting....
Through a brief history of the various functions of drawing, Blouin presents contemporary works whic...