Add to ORKG"Émilie Monnet, Dayna Danger and the participants who worked on Wishes / Souhaits are sick to death of your dehumanizing portrayals of their bodies and lives—quite literally, considering that objectifying representations of Indigenous peoples often depict hem as reaching their inevitable end at terminal velocity." -- p. 2
babaamiwizh – blood memory and how we carry intergenerational histories: a collection of fragmented ...
Sydney Freeland’s fiction feature Drunktown’s Finest (2014) represents the return of Indigenous wome...
In the United States and Canada, Native women, girls, and two-spirit people are stolen and killed at...
"Émilie Monnet, Dayna Danger and the participants who worked on Wishes / Souhaits are sick to death ...
Bodies that Monetize is an exhibition and thesis document that investigates the harms caused to Indi...
This thesis addresses a long history of colonization and intergenerational traumas still existing to...
Colonial institutions, such as residential schools, suppressed First Nations peoples’ imaginations, ...
"Historically, colonization has removed and separated the contributions of artists from Indigenous s...
This article examines four multimedia artivist artefacts at the nexus of the missing and murdered In...
'Bunya: Whip Roots' is an audio-visual artwork about a compulsively foraging tree forest landscape a...
"A couple of years ago, Vtape’s administrative duo of Deirdre Logue and Chris Gehman saw a need – ho...
Abstract three-piece series created by Annabelle Broeffle in the fall of 2019. It includes sculpture...
This project explores Indigenous Futurisms written by Indigenous women from North America in the ear...
Jonathon Lear and Noel Pearson suggest radical hope to be the force impelling Native American and Au...
"Mzinkojige Waabang (To Carve Tomorrow) is an Indigenous art festival of exhibitions held in conjunc...
babaamiwizh – blood memory and how we carry intergenerational histories: a collection of fragmented ...
Sydney Freeland’s fiction feature Drunktown’s Finest (2014) represents the return of Indigenous wome...
In the United States and Canada, Native women, girls, and two-spirit people are stolen and killed at...
"Émilie Monnet, Dayna Danger and the participants who worked on Wishes / Souhaits are sick to death ...
Bodies that Monetize is an exhibition and thesis document that investigates the harms caused to Indi...
This thesis addresses a long history of colonization and intergenerational traumas still existing to...
Colonial institutions, such as residential schools, suppressed First Nations peoples’ imaginations, ...
"Historically, colonization has removed and separated the contributions of artists from Indigenous s...
This article examines four multimedia artivist artefacts at the nexus of the missing and murdered In...
'Bunya: Whip Roots' is an audio-visual artwork about a compulsively foraging tree forest landscape a...
"A couple of years ago, Vtape’s administrative duo of Deirdre Logue and Chris Gehman saw a need – ho...
Abstract three-piece series created by Annabelle Broeffle in the fall of 2019. It includes sculpture...
This project explores Indigenous Futurisms written by Indigenous women from North America in the ear...
Jonathon Lear and Noel Pearson suggest radical hope to be the force impelling Native American and Au...
"Mzinkojige Waabang (To Carve Tomorrow) is an Indigenous art festival of exhibitions held in conjunc...
babaamiwizh – blood memory and how we carry intergenerational histories: a collection of fragmented ...
Sydney Freeland’s fiction feature Drunktown’s Finest (2014) represents the return of Indigenous wome...
In the United States and Canada, Native women, girls, and two-spirit people are stolen and killed at...