Add to ORKG"My original intention was that March to May be seen to repudiate violence through foreshortening the space between the aesthetic and the catastrophic, but this would only be so if you are one who categorically turns away from such visions. Perhaps – and this is the difficulty of the work – it can also be seen to reinforce the idea that there is no space between beauty and horror, and that instead, they endow each other." -- p. [18] of the document
The news shows us what we already know about the war in Syria and, in fact, any conflict in the Midd...
When a state enters a war or commits mass atrocities against a particular group, the mass media are ...
This paper examines two episodes within visual culture that occurred in the months following the inv...
"My original intention was that March to May be seen to repudiate violence through foreshortening th...
March to May is a photographic exploration of spatial and temporal dislocations evident in televisio...
This article argues that the BBC World footage of the bombardment of Baghdad, March–April 2003, mana...
The War on Television is a video based ‘performance’ work that explores interference fractured telev...
A significant social and cultural crisis is concentrated through photographs taken by military warde...
This article analyses an example of war footage in order to trace the ways in which the tension betw...
This is an occasion, I am sure, that all of us have hoped would never come. With every effort to pre...
In this book, media scholars from a number of countries and cultures provide a more global view of t...
On April 38,2004, disturbing photographs capturing the abuse of Iraqi prisoners by American soldiers...
This dissertation demonstrates that if done with care, combat art has potential to effect healthy ch...
In the early days of the Iraq War, the United States used the power of images, such as those of the ...
none1noThis essay offers an explanation of the development and the long-term cultural impact of the ...
The news shows us what we already know about the war in Syria and, in fact, any conflict in the Midd...
When a state enters a war or commits mass atrocities against a particular group, the mass media are ...
This paper examines two episodes within visual culture that occurred in the months following the inv...
"My original intention was that March to May be seen to repudiate violence through foreshortening th...
March to May is a photographic exploration of spatial and temporal dislocations evident in televisio...
This article argues that the BBC World footage of the bombardment of Baghdad, March–April 2003, mana...
The War on Television is a video based ‘performance’ work that explores interference fractured telev...
A significant social and cultural crisis is concentrated through photographs taken by military warde...
This article analyses an example of war footage in order to trace the ways in which the tension betw...
This is an occasion, I am sure, that all of us have hoped would never come. With every effort to pre...
In this book, media scholars from a number of countries and cultures provide a more global view of t...
On April 38,2004, disturbing photographs capturing the abuse of Iraqi prisoners by American soldiers...
This dissertation demonstrates that if done with care, combat art has potential to effect healthy ch...
In the early days of the Iraq War, the United States used the power of images, such as those of the ...
none1noThis essay offers an explanation of the development and the long-term cultural impact of the ...
The news shows us what we already know about the war in Syria and, in fact, any conflict in the Midd...
When a state enters a war or commits mass atrocities against a particular group, the mass media are ...
This paper examines two episodes within visual culture that occurred in the months following the inv...