Add to ORKGAnalysis of religious imagery in the fiction of María de Zayas and its relation to the legitimization or critique of sexual violence against female characters
This essay confronts the questions about propriety that surround two films about slavery, Quentin Ta...
International audienceThis article is based on the analysis of the censored passages from the 1939 e...
JOSÉ Revueltas’s Los motivos de Caín (1957) is about a US Army deserter, Jack Mendoza, who has fled ...
With Quentin Tarantino’s most recent film, Django Unchained, the Western’s generic promise of ‘regen...
With Quentin Tarantino’s most recent film, Django Unchained, the Western’s generic promise of ‘regen...
From 2009 to 2015, U.S. director, Quentin Tarantino, released three films that were notable for thei...
From 2009 to 2015, U.S. director, Quentin Tarantino, released three films that were notable for thei...
This article reads Django Unchained as a maroon narrative. It argues that the film s spatial poetics...
The proliferation of major Hollywood productions on the topic of slavery has surprised fans, critics...
The following study aims to analyze expressions of postcolonial and gender theoretical conditions of...
This thesis analyses the depiction of African-American slaves in writer / director Quentin Tarantino...
Cronenberg’s A History of Violence is a film about dichotomies which are not really dichotomies. Who...
“What does it mean to be a black film in twenty-first century America?” Riffing off of Henry Louis...
This essay analyzes the 2019 Guatemalan film La Llorona, directed by Jayro Bustamante, in order to q...
The Mexican can serve as a good heuristic example of the theology that one finds in the Book of Esth...
This essay confronts the questions about propriety that surround two films about slavery, Quentin Ta...
International audienceThis article is based on the analysis of the censored passages from the 1939 e...
JOSÉ Revueltas’s Los motivos de Caín (1957) is about a US Army deserter, Jack Mendoza, who has fled ...
With Quentin Tarantino’s most recent film, Django Unchained, the Western’s generic promise of ‘regen...
With Quentin Tarantino’s most recent film, Django Unchained, the Western’s generic promise of ‘regen...
From 2009 to 2015, U.S. director, Quentin Tarantino, released three films that were notable for thei...
From 2009 to 2015, U.S. director, Quentin Tarantino, released three films that were notable for thei...
This article reads Django Unchained as a maroon narrative. It argues that the film s spatial poetics...
The proliferation of major Hollywood productions on the topic of slavery has surprised fans, critics...
The following study aims to analyze expressions of postcolonial and gender theoretical conditions of...
This thesis analyses the depiction of African-American slaves in writer / director Quentin Tarantino...
Cronenberg’s A History of Violence is a film about dichotomies which are not really dichotomies. Who...
“What does it mean to be a black film in twenty-first century America?” Riffing off of Henry Louis...
This essay analyzes the 2019 Guatemalan film La Llorona, directed by Jayro Bustamante, in order to q...
The Mexican can serve as a good heuristic example of the theology that one finds in the Book of Esth...
This essay confronts the questions about propriety that surround two films about slavery, Quentin Ta...
International audienceThis article is based on the analysis of the censored passages from the 1939 e...
JOSÉ Revueltas’s Los motivos de Caín (1957) is about a US Army deserter, Jack Mendoza, who has fled ...