This thesis examines a unique niche of North American art: autobiographical comics by Jewish women. From the perspective of memory studies, the main goal of this research is to present a framework for analyzing graphic novels. Artists Miriam Katin, Bernice Eisenstein, and Miriam Libicki present the spectator/reader with distinct and widely varying possibilities for the graphic medium with their memoirs, We Are on Our Own, I Was a Child of Holocaust Survivors, and Jobnik! An American Girl’s Adventure’s in the Israeli Army, respectively. Several avenues are explored in relation to these works, including the question of how memory is visualized through text and image, trauma and fragmentation, issues of self-representation, narrativity, and ti...
In her I Was a Child of Holocaust Survivors published in Canada in 2006, Bernice Eistenstein underta...
This dissertation explores the relationship between narrative rupture and traumatic memory in four v...
This thesis examines two graphic memoirs: Lynda Barry’s One Hundred Demons (2002), and David Small’s...
In contemporary Jewish graphic memoir, the representations of Shoah memory depart from the clear pat...
Senior Project submitted to The Division of Languages and Literature of Bard College. This project i...
Since “we live in a culture of confession” (Gilmore 2001: 2; Rak 2005: 2) a rapidly growing populari...
In the graphic memoir I Was a Child of Holocaust Survivors (2006) Bernice Eisenstein examines her id...
Since “we live in a culture of confession” (Gilmore 2001: 2; Rak 2005: 2) a rapidly growing populari...
The ways in which we remember the Holocaust individually and collectively remains a topic of critica...
“The legacy of the Shoah” writes Eva Hoffman, a child of Holocaust survivors, “is being passed on to...
In her I Was a Child of Holocaust Survivors published in Canada in 2006, Bernice Eistenstein undert...
Miriam Katin's two graphic memoirs We Are on Our Own [(2006). Montreal: Drawn & Quarterly] and Letti...
This book analyses the relationship between comics and cultural memory. By focussing on a range of l...
Undergraduate Honors Thesis exploring the relationship between memory and language, and their visual...
(Statement of Responsibility) by Allya Yourish(Thesis) Thesis (B.A.) -- New College of Florida, 20...
In her I Was a Child of Holocaust Survivors published in Canada in 2006, Bernice Eistenstein underta...
This dissertation explores the relationship between narrative rupture and traumatic memory in four v...
This thesis examines two graphic memoirs: Lynda Barry’s One Hundred Demons (2002), and David Small’s...
In contemporary Jewish graphic memoir, the representations of Shoah memory depart from the clear pat...
Senior Project submitted to The Division of Languages and Literature of Bard College. This project i...
Since “we live in a culture of confession” (Gilmore 2001: 2; Rak 2005: 2) a rapidly growing populari...
In the graphic memoir I Was a Child of Holocaust Survivors (2006) Bernice Eisenstein examines her id...
Since “we live in a culture of confession” (Gilmore 2001: 2; Rak 2005: 2) a rapidly growing populari...
The ways in which we remember the Holocaust individually and collectively remains a topic of critica...
“The legacy of the Shoah” writes Eva Hoffman, a child of Holocaust survivors, “is being passed on to...
In her I Was a Child of Holocaust Survivors published in Canada in 2006, Bernice Eistenstein undert...
Miriam Katin's two graphic memoirs We Are on Our Own [(2006). Montreal: Drawn & Quarterly] and Letti...
This book analyses the relationship between comics and cultural memory. By focussing on a range of l...
Undergraduate Honors Thesis exploring the relationship between memory and language, and their visual...
(Statement of Responsibility) by Allya Yourish(Thesis) Thesis (B.A.) -- New College of Florida, 20...
In her I Was a Child of Holocaust Survivors published in Canada in 2006, Bernice Eistenstein underta...
This dissertation explores the relationship between narrative rupture and traumatic memory in four v...
This thesis examines two graphic memoirs: Lynda Barry’s One Hundred Demons (2002), and David Small’s...