Add to ORKGThis article explores the rhetorical context for early spoken sound recordings, placing them in the contexts of early promotional discourses surrounding the phonograph as an 'immediate' device for the storage and delivery of speech, and in the context of late Victorian recitation anthologies and practices
markdownabstract__Abstract__ The introduction of the recording device at the beginning of the twe...
Diffusé avec l’accord des Éditions Amsterdam University Press, détentrices des droits d’auteur sur c...
This special issue grew out of a conference held in 2015 at Newcastle University in partnership with...
The advent of new technologies of communication and inscription will perforce be of interest to thos...
<p class="MsoNoSpacing">The tradition of spoken-word recording began with Thomas Edison’s invention ...
When Edison invented the phonograph in 1877, the capacity of the new invention that most impressed h...
In late 1877 Thomas Edison cobbled together a crude mechanism of metal and wood he called the “phono...
This dissertation examines the intellectual and cultural reception of the phonograph at the turn of ...
“Victorian Talk: Human Media and Literary Writing in the Age of Mass Print” investigates a mid- to l...
An innovative and imaginative study of machines for writing and reading in late nineteenth century A...
Speech Labs is the first history of the poetry audio archive. Its aim is to define how the poetic au...
Speech Labs is the first history of the poetry audio archive. Its aim is to define how the poetic au...
This study employs Charlotte Brontë\u27s Shirley (1849), Charles Dickens\u27s Hard Times (1854), and...
This article strives to examine the historical narrative of music recording in its acoustic era (fro...
This dissertation explains processes of change and adaptation undergone by the early phonographs and...
markdownabstract__Abstract__ The introduction of the recording device at the beginning of the twe...
Diffusé avec l’accord des Éditions Amsterdam University Press, détentrices des droits d’auteur sur c...
This special issue grew out of a conference held in 2015 at Newcastle University in partnership with...
The advent of new technologies of communication and inscription will perforce be of interest to thos...
<p class="MsoNoSpacing">The tradition of spoken-word recording began with Thomas Edison’s invention ...
When Edison invented the phonograph in 1877, the capacity of the new invention that most impressed h...
In late 1877 Thomas Edison cobbled together a crude mechanism of metal and wood he called the “phono...
This dissertation examines the intellectual and cultural reception of the phonograph at the turn of ...
“Victorian Talk: Human Media and Literary Writing in the Age of Mass Print” investigates a mid- to l...
An innovative and imaginative study of machines for writing and reading in late nineteenth century A...
Speech Labs is the first history of the poetry audio archive. Its aim is to define how the poetic au...
Speech Labs is the first history of the poetry audio archive. Its aim is to define how the poetic au...
This study employs Charlotte Brontë\u27s Shirley (1849), Charles Dickens\u27s Hard Times (1854), and...
This article strives to examine the historical narrative of music recording in its acoustic era (fro...
This dissertation explains processes of change and adaptation undergone by the early phonographs and...
markdownabstract__Abstract__ The introduction of the recording device at the beginning of the twe...
Diffusé avec l’accord des Éditions Amsterdam University Press, détentrices des droits d’auteur sur c...
This special issue grew out of a conference held in 2015 at Newcastle University in partnership with...