Maori art in New Zealand museums has a long history extending back to the first contacts made between Maori (New Zealand's Native peoples) and Europeans. The Europeans settled in New Zealand with a colonialist attitude, leading to the notion that the Maori people would soon be extinct. This promoted the vigorous collection of various samples of Maori material culture. Museums were then established to store these artefacts. Governmental policies dating back to the turn of the century, gradually influenced the ways in which museums dealt with these Maori holdings. The current situation in New Zealand, particularly at the Museum of New Zealand Te Papa Tongarewa is largely a reaction to the past. Maori people are demanding that they have more ...
In this paper we investigate two anthropological assemblages in Aotearoa/New Zealand in the 1920s an...
In 1998, Te Papa Tongarewa Museum of New Zealand opened to the public. The new national museum is st...
This thesis surveys a number of historic and cultural interpretation programmes. It considers the ai...
Bourdieu wrote that the sacralisation of art serves to consecrate the social order by ‘enabling educ...
Debates on the representation of indigenous cultures in museums have come to the fore in the past th...
The Museum of New Zealand Te Papa Tongarewa opened in 1998 amidst controversy but has been a huge po...
The recontextualization of Maori art from anthropological museum artefact to aesthetic art object-th...
This research considers material culture, the politics of identity, and the role knowledge plays in ...
The post-modern museum has in recent years been grappling with how best to engage with source commun...
The opening of the Musée du quai Branly in 2006 signalled a new approach to the display of Māori and...
This thesis explores the collecting and exhibiting of colonial art (before 1908) by New Zealand's st...
This thesis examines the role of the Museum of New Zealand Te Papa Tongarewa in the rejuvenation of ...
In July 2012, New Zealand’s Parliament passed the Rongowhakaata Settlement Act, which returned owner...
This research considers material culture, the politics of identity, and the role knowledge plays in ...
Collecting for New Zealand explores two interconnected questions: how do history curators at the Mus...
In this paper we investigate two anthropological assemblages in Aotearoa/New Zealand in the 1920s an...
In 1998, Te Papa Tongarewa Museum of New Zealand opened to the public. The new national museum is st...
This thesis surveys a number of historic and cultural interpretation programmes. It considers the ai...
Bourdieu wrote that the sacralisation of art serves to consecrate the social order by ‘enabling educ...
Debates on the representation of indigenous cultures in museums have come to the fore in the past th...
The Museum of New Zealand Te Papa Tongarewa opened in 1998 amidst controversy but has been a huge po...
The recontextualization of Maori art from anthropological museum artefact to aesthetic art object-th...
This research considers material culture, the politics of identity, and the role knowledge plays in ...
The post-modern museum has in recent years been grappling with how best to engage with source commun...
The opening of the Musée du quai Branly in 2006 signalled a new approach to the display of Māori and...
This thesis explores the collecting and exhibiting of colonial art (before 1908) by New Zealand's st...
This thesis examines the role of the Museum of New Zealand Te Papa Tongarewa in the rejuvenation of ...
In July 2012, New Zealand’s Parliament passed the Rongowhakaata Settlement Act, which returned owner...
This research considers material culture, the politics of identity, and the role knowledge plays in ...
Collecting for New Zealand explores two interconnected questions: how do history curators at the Mus...
In this paper we investigate two anthropological assemblages in Aotearoa/New Zealand in the 1920s an...
In 1998, Te Papa Tongarewa Museum of New Zealand opened to the public. The new national museum is st...
This thesis surveys a number of historic and cultural interpretation programmes. It considers the ai...