As 'Michael Field', Katharine Harris Bradley and Edith Emma Cooper were the authors of nine volumes of lyric poetry and twenty-five historical verse dramas. In the Britain of the 1880s, the emergence of Michael Field as an exciting new poet was lauded by the literary journals of the period. In this discussion, I will be dealing with the two major collections of Michael Field’s lifewriting held by the British and the Bodleian Libraries
Mary Elizabeth Braddon was a prolific English writer of popular fiction in the Victorian period. Her...
Mary Elizabeth Braddon (1835-1915) left a substantial number of unpublished manuscripts, letters, an...
Number 1.By Katherine Harris Bradley and Edith Emma Cooper as joint authors.Poems.Mode of access: In...
Michael Field was the pseudonym used by Katherine Bradley (1846-1914) and Edith Cooper (1862-1913) c...
An interest in ‘forgotten’ women poets of the fin de siécle led to many interesting figures being cr...
The last few decades have witnessed an immense resurgence in critical and academic interest in the l...
In 1889 “Michael Field”—the pseudonymous identity of Katharine Bradley and Edith Cooper—published Lo...
The greatest development in the field of Victorian poetry studies over the past fifteen years has be...
‘Michael Field’ was the pseudonym of two women, the aunt and niece Katharine Bradley and Edith Coope...
Book synopsis: Writing as “Michael Field,” Katharine Bradley (1846–1914) and Edith Cooper (1862–1913...
When the UK's Guardian newspaper featured "La Gioconda" as poem of the week in January 2010, the pap...
Scandal has long been associated with the collaborative partnership of Michael Field (the pseudonym/...
This article explores how the late-Victorian poets Katharine Bradley and Edith Cooper, who wrote und...
In a life full of chaos and travel, Elizabeth Bishop managed to preserve and even partially catalog,...
Contains biographical sketches of authors."This collection is obviously a companion volume to [the a...
Mary Elizabeth Braddon was a prolific English writer of popular fiction in the Victorian period. Her...
Mary Elizabeth Braddon (1835-1915) left a substantial number of unpublished manuscripts, letters, an...
Number 1.By Katherine Harris Bradley and Edith Emma Cooper as joint authors.Poems.Mode of access: In...
Michael Field was the pseudonym used by Katherine Bradley (1846-1914) and Edith Cooper (1862-1913) c...
An interest in ‘forgotten’ women poets of the fin de siécle led to many interesting figures being cr...
The last few decades have witnessed an immense resurgence in critical and academic interest in the l...
In 1889 “Michael Field”—the pseudonymous identity of Katharine Bradley and Edith Cooper—published Lo...
The greatest development in the field of Victorian poetry studies over the past fifteen years has be...
‘Michael Field’ was the pseudonym of two women, the aunt and niece Katharine Bradley and Edith Coope...
Book synopsis: Writing as “Michael Field,” Katharine Bradley (1846–1914) and Edith Cooper (1862–1913...
When the UK's Guardian newspaper featured "La Gioconda" as poem of the week in January 2010, the pap...
Scandal has long been associated with the collaborative partnership of Michael Field (the pseudonym/...
This article explores how the late-Victorian poets Katharine Bradley and Edith Cooper, who wrote und...
In a life full of chaos and travel, Elizabeth Bishop managed to preserve and even partially catalog,...
Contains biographical sketches of authors."This collection is obviously a companion volume to [the a...
Mary Elizabeth Braddon was a prolific English writer of popular fiction in the Victorian period. Her...
Mary Elizabeth Braddon (1835-1915) left a substantial number of unpublished manuscripts, letters, an...
Number 1.By Katherine Harris Bradley and Edith Emma Cooper as joint authors.Poems.Mode of access: In...