In this note, we briefly compile the extant bibliographic information about the play La conquista de Madrid por el rey don Ramiro y el conde Fernán González (Barcelona, printer of Pablo Nadal, 1797), and, after revising the studies and papers about the issue, we recover this text as a work by Manuel Fermín de Laviano. These results offer new perspectives to the study of the dramatic work of this playwright and his contribution to the theatrical development of Fernán González’s legendary life in Spanish heroic theatre of the 18th century.En esta nota recopilamos brevemente la información bibliográfica de la comedia La conquista de Madrid por el rey don Ramiro y el conde Fernán González (Barcelona, imprenta de Pablo Nadal, 1797) y, tras revis...
This paper analyzes a series of documents on theatrical activity in the Iberian Peninsula (notarial ...
Aureliano Fernandez-Guerra is known especially among Quevedo’s scholars because he published the fir...
In this paper I want to make known the existence of a seventeenth-century actor’s part that reproduc...
En esta tesis se propone un estudio sobre la vida y obra de Manuel Fermín de Laviano, dramaturgo mad...
In 16th century Spanish chivalry theatre, the plays that rewrote episodes from Feliciano de Silva’s ...
In this paper, we will compare the Spanish play El cadalso para su dueño, by Manuel Fermín de Lavian...
En este artículo, realizaremos un análisis comparado entre la comedia El cadalso para su dueño (1780...
This text is made from a photostat copy of a manuscript in the National Library of Madrid. The spell...
Lope defended the usefulness of history presented on stage, that is, theatre’s function of preservin...
In this paper, we propose a comparative analysis between Los Tellos de Meneses, first part, written ...
Lusitanian playwrights who wrote comedias during and after the Dual Monarchy (1580-1640), when the P...
En 1959 daba cuenta Eugenio Asensio del descubrimiento de Diego Moreno, entremés atribuido a Quevedo...
On 7 February 1787 Eusebio Rivera's company premiered Triunfos del valor de España en defensa de Mel...
The purpose of this thesis is to present, for the first time, a modernized and annotated edition of ...
Este artículo analiza una obra teatral, Don Francisco de Quevedo, escrita por un autor muy poco cono...
This paper analyzes a series of documents on theatrical activity in the Iberian Peninsula (notarial ...
Aureliano Fernandez-Guerra is known especially among Quevedo’s scholars because he published the fir...
In this paper I want to make known the existence of a seventeenth-century actor’s part that reproduc...
En esta tesis se propone un estudio sobre la vida y obra de Manuel Fermín de Laviano, dramaturgo mad...
In 16th century Spanish chivalry theatre, the plays that rewrote episodes from Feliciano de Silva’s ...
In this paper, we will compare the Spanish play El cadalso para su dueño, by Manuel Fermín de Lavian...
En este artículo, realizaremos un análisis comparado entre la comedia El cadalso para su dueño (1780...
This text is made from a photostat copy of a manuscript in the National Library of Madrid. The spell...
Lope defended the usefulness of history presented on stage, that is, theatre’s function of preservin...
In this paper, we propose a comparative analysis between Los Tellos de Meneses, first part, written ...
Lusitanian playwrights who wrote comedias during and after the Dual Monarchy (1580-1640), when the P...
En 1959 daba cuenta Eugenio Asensio del descubrimiento de Diego Moreno, entremés atribuido a Quevedo...
On 7 February 1787 Eusebio Rivera's company premiered Triunfos del valor de España en defensa de Mel...
The purpose of this thesis is to present, for the first time, a modernized and annotated edition of ...
Este artículo analiza una obra teatral, Don Francisco de Quevedo, escrita por un autor muy poco cono...
This paper analyzes a series of documents on theatrical activity in the Iberian Peninsula (notarial ...
Aureliano Fernandez-Guerra is known especially among Quevedo’s scholars because he published the fir...
In this paper I want to make known the existence of a seventeenth-century actor’s part that reproduc...