Add to ORKGCentral Javanese Gamelan, excerpt from a wayang kulit shadow play, undated. The interjections of the dhalang (puppeteer/narrator) can be heard, and the puppets‚ voices take over near the end of the recording. The dhalang can also be heard making percussive sounds with a wooden mallet and the hanging metal plates he shakes with his foot, which sound like rattling chains
Shadow puppetry (wayang kulit) is one of the Indonesian cultural treasures of which typical characte...
The show of wayang golek purwa in Sunda has under gone considerable creativities by using gamelan se...
Abstract This research compares and contrasts the structure of Javanese Wayang Kulit (Shadow Puppe...
Audio 7.12: Audio Example 12 in Chapter 7 of book: Margaret Kartomi, ‘Musical Journeys in Sumatra’, ...
Konsep The ancient art of shadow play, or ”wayang kulit” (lit. leather figures), is a unique co...
This study aims to understand the various types of melodies that play a role as opening patets (game...
In this study of music in the Malay shadow puppet play the role of the music is examined in a partic...
This study describes a Banyumas understanding of the Javanese shadow puppet theater tradition. By ta...
The subject of this thesis is Balinese shadow puppet theatre. The author looks specifically at the ...
This paper discusses the reconstruction process of Wacinwa or Wayang Cina Jawa (Chinese-Javanese sh...
Javanese Gamelan, part 1: Gatutkaca, is a program of traditional Javanese Gamelan music. The program...
All clips are from a performance at Kidang by dalang (puppeteer) Ki Budiman in 2017. The right-side ...
A set of 3 iron kempul keys [one bossed, two unbossed] strung over the sound box in a wooden frame, ...
Photocopy of typescript.Thesis (Ph. D.)--University of Hawaii at Manoa, 1979.Bibliography: leaves [2...
Wayang Kulit is an art and form of entertainment used in Bali. Shadow puppets are made to depict sto...
Shadow puppetry (wayang kulit) is one of the Indonesian cultural treasures of which typical characte...
The show of wayang golek purwa in Sunda has under gone considerable creativities by using gamelan se...
Abstract This research compares and contrasts the structure of Javanese Wayang Kulit (Shadow Puppe...
Audio 7.12: Audio Example 12 in Chapter 7 of book: Margaret Kartomi, ‘Musical Journeys in Sumatra’, ...
Konsep The ancient art of shadow play, or ”wayang kulit” (lit. leather figures), is a unique co...
This study aims to understand the various types of melodies that play a role as opening patets (game...
In this study of music in the Malay shadow puppet play the role of the music is examined in a partic...
This study describes a Banyumas understanding of the Javanese shadow puppet theater tradition. By ta...
The subject of this thesis is Balinese shadow puppet theatre. The author looks specifically at the ...
This paper discusses the reconstruction process of Wacinwa or Wayang Cina Jawa (Chinese-Javanese sh...
Javanese Gamelan, part 1: Gatutkaca, is a program of traditional Javanese Gamelan music. The program...
All clips are from a performance at Kidang by dalang (puppeteer) Ki Budiman in 2017. The right-side ...
A set of 3 iron kempul keys [one bossed, two unbossed] strung over the sound box in a wooden frame, ...
Photocopy of typescript.Thesis (Ph. D.)--University of Hawaii at Manoa, 1979.Bibliography: leaves [2...
Wayang Kulit is an art and form of entertainment used in Bali. Shadow puppets are made to depict sto...
Shadow puppetry (wayang kulit) is one of the Indonesian cultural treasures of which typical characte...
The show of wayang golek purwa in Sunda has under gone considerable creativities by using gamelan se...
Abstract This research compares and contrasts the structure of Javanese Wayang Kulit (Shadow Puppe...