Recent scholarship on subcultural theory has cultivated an idea of subcultural capital around common signifiers. Points of departure within subcultures have been seen as deviations or potential threats to subcultural cohesion. In this report, I use a mixed-method approach to examine the way subcultural capital is created within the digital subculture of music blogs. Focusing on North American independent rock music blogs, I use a qualitative approach to examine their aesthetic choices, and descriptive analysis informed by quantitative techniques to examine content decisions. Through these methods, I demonstrate that in this particular subculture, member uniqueness is not a factor to be glossed over or explained away. It is not a threat to s...
The thesis is covering the description of a phenomenon, during which are alternative subcultures bec...
The sub scene, an online community for creating and distributing subtitle files for pirated movies a...
The first part of the article retraces the process of „liberation of images“ from their referential ...
This paper discusses a theoretical framework that sub-divides music blogs into five different typolo...
We analyze how participants in an internet forum dedicated to the straight-edge subculture articulat...
The following thesis is an exploration of some of the limits of subcultural theory. Beginning with a...
Postsubcultural theory, a more recent school of thought in the study of youth cultures, grew in popu...
In this paper I propose a new approach for the study of online music sharing communities, drawing fr...
Music subcultures have traditionally been linked to specific music genres (e.g., punk, hip-hop, meta...
Digital music and subculture: Sharing files, sharing styles by Sean Ebare In this paper I propose a...
This dissertation examines cultural production in an age of digital media and convergence. It focuse...
paradoxes in the artistic fields of MySpace: the problematization of values and popularity in conver...
Due to my involvement in music, subcultures are very close to my heart. As a student of Art Pedagogy...
Abstract Despite the criticisms of subcultural theory as a framework for the socio-logical study of ...
The article presents a part of the empirical research on the Lithuanian metal music subcultural iden...
The thesis is covering the description of a phenomenon, during which are alternative subcultures bec...
The sub scene, an online community for creating and distributing subtitle files for pirated movies a...
The first part of the article retraces the process of „liberation of images“ from their referential ...
This paper discusses a theoretical framework that sub-divides music blogs into five different typolo...
We analyze how participants in an internet forum dedicated to the straight-edge subculture articulat...
The following thesis is an exploration of some of the limits of subcultural theory. Beginning with a...
Postsubcultural theory, a more recent school of thought in the study of youth cultures, grew in popu...
In this paper I propose a new approach for the study of online music sharing communities, drawing fr...
Music subcultures have traditionally been linked to specific music genres (e.g., punk, hip-hop, meta...
Digital music and subculture: Sharing files, sharing styles by Sean Ebare In this paper I propose a...
This dissertation examines cultural production in an age of digital media and convergence. It focuse...
paradoxes in the artistic fields of MySpace: the problematization of values and popularity in conver...
Due to my involvement in music, subcultures are very close to my heart. As a student of Art Pedagogy...
Abstract Despite the criticisms of subcultural theory as a framework for the socio-logical study of ...
The article presents a part of the empirical research on the Lithuanian metal music subcultural iden...
The thesis is covering the description of a phenomenon, during which are alternative subcultures bec...
The sub scene, an online community for creating and distributing subtitle files for pirated movies a...
The first part of the article retraces the process of „liberation of images“ from their referential ...