This essay continues the documentation of formal functions (after Caplin) in named menuets from the eighteenth century, as begun in parts 1-4 of this series. In this essay, the focus is on menuets written by other composers during the middle decade of Mozart’s life, 1771-1780. The repertoire includes music by Carl and Anton Stamitz, Franz Joseph Haydn, Luigi Boccherini, and several others, as well as menuets in collections or compilations intended for performance, dancing, or pedagogy.Musi
Sources such as the Allgemeine musikalische Zeitung, the Neue Zeitschrift für Musik and Felix Mendel...
This study examines the conventions of organization and style in the finales of opere buffe written ...
In 1883, Wolfgang Amadeus Mozart composed two duos for violin and viola. It is said that Mozart's fr...
This essay continues the documentation of formal functions (after Caplin) in named menuets from the ...
This essay charts formal functions (after Caplin) in named menuets written during the second half of...
This essay charts formal functions (after Caplin) in named menuets by Johann Christian Bach (1735-17...
This final essay in the Mozart series charts formal functions (after Caplin) in named menuets writte...
Continuation of a study of formal functions (after Caplin) in named menuets by Mozart. A table of da...
This essay considers some theoretical questions raised at the end of Part 4 in this series. William ...
This article adds further documentation for the claim that dance musics in Europe at the end of the ...
This study has two divisions: Part I, an historical and analytical summary of the emergence and deve...
The music of Haydn, Mozart and Beethoven forms a cornerstone of the modern repertoire, but very litt...
Form in Stravinsky’s music continues to be a topic of great interest and varied approaches, includin...
Although the term “concert aria” is a later scholarly appellation applied after Mozart’s lifetime to...
1The music of Wolfgang Amadeus Mozart is held up as the pinnacle of Classical ideals. The numerous w...
Sources such as the Allgemeine musikalische Zeitung, the Neue Zeitschrift für Musik and Felix Mendel...
This study examines the conventions of organization and style in the finales of opere buffe written ...
In 1883, Wolfgang Amadeus Mozart composed two duos for violin and viola. It is said that Mozart's fr...
This essay continues the documentation of formal functions (after Caplin) in named menuets from the ...
This essay charts formal functions (after Caplin) in named menuets written during the second half of...
This essay charts formal functions (after Caplin) in named menuets by Johann Christian Bach (1735-17...
This final essay in the Mozart series charts formal functions (after Caplin) in named menuets writte...
Continuation of a study of formal functions (after Caplin) in named menuets by Mozart. A table of da...
This essay considers some theoretical questions raised at the end of Part 4 in this series. William ...
This article adds further documentation for the claim that dance musics in Europe at the end of the ...
This study has two divisions: Part I, an historical and analytical summary of the emergence and deve...
The music of Haydn, Mozart and Beethoven forms a cornerstone of the modern repertoire, but very litt...
Form in Stravinsky’s music continues to be a topic of great interest and varied approaches, includin...
Although the term “concert aria” is a later scholarly appellation applied after Mozart’s lifetime to...
1The music of Wolfgang Amadeus Mozart is held up as the pinnacle of Classical ideals. The numerous w...
Sources such as the Allgemeine musikalische Zeitung, the Neue Zeitschrift für Musik and Felix Mendel...
This study examines the conventions of organization and style in the finales of opere buffe written ...
In 1883, Wolfgang Amadeus Mozart composed two duos for violin and viola. It is said that Mozart's fr...