This paper provides a project overview of an emerging partnership between Scotland’s national conservatoire, the Royal Scottish Academy of Music and Drama (RSAMD) and Sounds of Progress (SoP), a music training and theatre production company specializing in working with people with disabilities. The paper seeks to introduce this partnership and its institutional context, to relate current work to previous research on other SoP projects, and to give an overview of some issues arising from the workshops, including professional training, new artistic possibilities, and integration with non-disabled musicians
This paper addresses the accessibility of dance and performer training for people with disabilities,...
In this article I enquire whether a worthwhile dialogue might be entered into between the discipline...
This chapter examines the disability arts movement in Great Britain as an example of a self-organise...
Abstract: This paper provides a project overview of an emerging partnership between Scotland’s natio...
Professional training opportunities for students with physical and learning disabilities in the perf...
This paper addresses the accessibility of dance and performer training for peo- ple with disabilitie...
The primary focus of this study was to explore the barriers and enablers facing music students with ...
Recent decades have seen a promising shift towards a dance sector that encourages, values, and ackno...
Disability Theatre has a constructive and purposeful role to play within society as it enables disab...
This paper uses personalisation and the capabilities approach to explore inclusive music classes for...
research focuses on the performing arts lives of four performers with learning difficulties, who wer...
Abstract Music therapy is predominantly used to treat children and adults with a wide range of learn...
This article presents findings from qualitative research which aimed to capture the experience and v...
We are pleased to include in this issue the first half of a forum on music guest edited by Alex Lube...
This study aims to explore how interaction with the performing arts could facilitate the participati...
This paper addresses the accessibility of dance and performer training for people with disabilities,...
In this article I enquire whether a worthwhile dialogue might be entered into between the discipline...
This chapter examines the disability arts movement in Great Britain as an example of a self-organise...
Abstract: This paper provides a project overview of an emerging partnership between Scotland’s natio...
Professional training opportunities for students with physical and learning disabilities in the perf...
This paper addresses the accessibility of dance and performer training for peo- ple with disabilitie...
The primary focus of this study was to explore the barriers and enablers facing music students with ...
Recent decades have seen a promising shift towards a dance sector that encourages, values, and ackno...
Disability Theatre has a constructive and purposeful role to play within society as it enables disab...
This paper uses personalisation and the capabilities approach to explore inclusive music classes for...
research focuses on the performing arts lives of four performers with learning difficulties, who wer...
Abstract Music therapy is predominantly used to treat children and adults with a wide range of learn...
This article presents findings from qualitative research which aimed to capture the experience and v...
We are pleased to include in this issue the first half of a forum on music guest edited by Alex Lube...
This study aims to explore how interaction with the performing arts could facilitate the participati...
This paper addresses the accessibility of dance and performer training for people with disabilities,...
In this article I enquire whether a worthwhile dialogue might be entered into between the discipline...
This chapter examines the disability arts movement in Great Britain as an example of a self-organise...