How does music shape the experience of the sacred? This chapter looks at two genres of North American Indigenous singing – drum song performed at powwows, and gospel singing associated with funerary wakes – in exploring how music mediates sacred presences and process
Our knowledge and understanding of acculturation in American Indian musical systems remains limited....
The purpose of this research was to fill-in a gap within powwow literature: little has been written ...
Much of the scholarship of congregational music focuses on participatory music in organized corporat...
How does music shape the experience of the sacred? This chapter looks at two genres of North America...
Celebrating the diversity of indigenous nations, cultures and religions, the essays which comprise t...
The purpose of this research is to examine past and present Indigenous music and how both interconne...
The Indigenous traditions and experiences of instrumental music in North America are as varied and d...
Songs are a Blackfoot way of knowing, inseparable from ceremonies that express relationship and resp...
[About the book] First Nations, Inuit, and Métis music in Canada is dynamic and diverse, reflecti...
The Mi'kmaq are an Indigenous people in northeastern North America. In their culture, sound, music, ...
This chapter explores the ways in which music can generate its own religious culture, inspiring a de...
In presenting this issue of the Journal devoted to music and the expressive arts in general, we hope...
In the current climate of American Indian culture in the United States, the impact of the internet o...
The first Americans, the American Indians, have for centuries valued music as an integral part of th...
The "sobbing" vocal quality in many traditional songs of northwestern California Indian tribes inspi...
Our knowledge and understanding of acculturation in American Indian musical systems remains limited....
The purpose of this research was to fill-in a gap within powwow literature: little has been written ...
Much of the scholarship of congregational music focuses on participatory music in organized corporat...
How does music shape the experience of the sacred? This chapter looks at two genres of North America...
Celebrating the diversity of indigenous nations, cultures and religions, the essays which comprise t...
The purpose of this research is to examine past and present Indigenous music and how both interconne...
The Indigenous traditions and experiences of instrumental music in North America are as varied and d...
Songs are a Blackfoot way of knowing, inseparable from ceremonies that express relationship and resp...
[About the book] First Nations, Inuit, and Métis music in Canada is dynamic and diverse, reflecti...
The Mi'kmaq are an Indigenous people in northeastern North America. In their culture, sound, music, ...
This chapter explores the ways in which music can generate its own religious culture, inspiring a de...
In presenting this issue of the Journal devoted to music and the expressive arts in general, we hope...
In the current climate of American Indian culture in the United States, the impact of the internet o...
The first Americans, the American Indians, have for centuries valued music as an integral part of th...
The "sobbing" vocal quality in many traditional songs of northwestern California Indian tribes inspi...
Our knowledge and understanding of acculturation in American Indian musical systems remains limited....
The purpose of this research was to fill-in a gap within powwow literature: little has been written ...
Much of the scholarship of congregational music focuses on participatory music in organized corporat...
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