International audienceThis article deals with the cultures genuineness construction mechanisms which are staged within the ethnology museums. The study is focused on the visual experience offered by the panoramas, the dioramas, and the interactive grounds as well as the truthfulness effects that they cause to the visitor. The comparison between these three mechanisms devices is considered through the simulation. The analysis also concerns the role played by the artifact in those reconstitutions.Cet article considère les mécanismes de construction de l'authenticité des cultures mises en scène dans les musées d'ethnologie. L'étude est centrée sur la nature de l'expérience visuelle proposée par les panoramas, les dioramas, et les born...
The principle of immersion has been a key factor in the success of many visual attractions since the...
International audienceThis article proposes an examination of the relations between the graphic repr...
AbstractThis article proposes a descriptive reflection on the processes of decontextualization of ob...
This article deals with the cultures genuineness construction mechanisms which are staged within the...
This article explores the contributions of museology to the reception of alterity, that is, everythi...
Over the past decade, digital technologies have been increasingly used to showcase heritage, notably...
Depuis plus de vingt ans, la diversification et la redéfinition des médiations culturelles sont énon...
This article considers the notion of authenticity with regard to the approaches of contemporary arti...
Cet article met en avant la dynamique de la mise en valeur du patrimoine culturel immatériel en Haït...
This article is a brief overview of a research project in museum studies that chose to reflect on th...
International audienceL'article propose de discuter les enjeux théoriques et méthodologiques appliqu...
À travers l’analyse d’une expérience scénographique, cet article revient sur le processus de mise en...
International audienceThis article examines the possible narrative dimension of cultural data in dig...
International audienceThe hyperreal character of the heritage is strongly expressed through the dive...
This article is about the problematic definition of the authenticity criteria in tribal art. After i...
The principle of immersion has been a key factor in the success of many visual attractions since the...
International audienceThis article proposes an examination of the relations between the graphic repr...
AbstractThis article proposes a descriptive reflection on the processes of decontextualization of ob...
This article deals with the cultures genuineness construction mechanisms which are staged within the...
This article explores the contributions of museology to the reception of alterity, that is, everythi...
Over the past decade, digital technologies have been increasingly used to showcase heritage, notably...
Depuis plus de vingt ans, la diversification et la redéfinition des médiations culturelles sont énon...
This article considers the notion of authenticity with regard to the approaches of contemporary arti...
Cet article met en avant la dynamique de la mise en valeur du patrimoine culturel immatériel en Haït...
This article is a brief overview of a research project in museum studies that chose to reflect on th...
International audienceL'article propose de discuter les enjeux théoriques et méthodologiques appliqu...
À travers l’analyse d’une expérience scénographique, cet article revient sur le processus de mise en...
International audienceThis article examines the possible narrative dimension of cultural data in dig...
International audienceThe hyperreal character of the heritage is strongly expressed through the dive...
This article is about the problematic definition of the authenticity criteria in tribal art. After i...
The principle of immersion has been a key factor in the success of many visual attractions since the...
International audienceThis article proposes an examination of the relations between the graphic repr...
AbstractThis article proposes a descriptive reflection on the processes of decontextualization of ob...