This article is informed by data taken from wider findings from a Ph.D study in which the author worked as a stripper in a lap-dancing venue in Edinburgh, Scotland, UK. Edinburgh is the capital city of Scotland and, at the time of writing, is home to five venues. The data was collected over a ten month period in 2011. The findings are generated through in-depth interviews with a number of women who worked in lap-dancing venues across Scotland, and the findings reflect their experiences of their involvement in this changing industry. By using dancers’ voices, this work contributes to the growing body of literature which supports the complex and contradictory nature of involvement in the sex industry (Bradley-Engen and Ulmer, 2009; Sanders et...
Amidst a considerable body of literature on erotic dance, the voices of third parties, that is, the ...
This thesis examines contemporary theatre dance artists’ economic conduct to fill a gap in knowledge...
This article questions the progressive potential of media depictions of male strip shows. I examine ...
Despite concerns regarding working conditions in Scottish lap-dancing venues being raised in the 200...
The visibility of striptease (‘lap dancing’) as a workplace and site of consumption has grown signif...
PhD Thesis.The lap-dancing club phenomenon is relatively new in the UK and as a result, in the last ...
This article is based on a semiotic analysis of corporate websites in the lap dancing industry. Form...
In England and Wales, with the introduction of Section 27 of the Policing and Crime Act 2009, lap-da...
Abstract copyright UK Data Service and data collection copyright owner.This is a mixed methods data ...
Drawing on ethnographic research on lap dancing work, this paper focuses on how the subjectivities, ...
This PhD thesis focuses on women’s lived, embodied experiences of working in the lap dancing industr...
This paper seeks to characterise the gendered and sexualised power relations of both female and male...
Drawing on ethnographic research on lap dancing work, this paper focuses on how the subjectivities, ...
This article analyses the growth of professional equality in the Scottish dance industry. It defines...
This paper seeks to characterise the gendered and sexualised power relations of both female and male...
Amidst a considerable body of literature on erotic dance, the voices of third parties, that is, the ...
This thesis examines contemporary theatre dance artists’ economic conduct to fill a gap in knowledge...
This article questions the progressive potential of media depictions of male strip shows. I examine ...
Despite concerns regarding working conditions in Scottish lap-dancing venues being raised in the 200...
The visibility of striptease (‘lap dancing’) as a workplace and site of consumption has grown signif...
PhD Thesis.The lap-dancing club phenomenon is relatively new in the UK and as a result, in the last ...
This article is based on a semiotic analysis of corporate websites in the lap dancing industry. Form...
In England and Wales, with the introduction of Section 27 of the Policing and Crime Act 2009, lap-da...
Abstract copyright UK Data Service and data collection copyright owner.This is a mixed methods data ...
Drawing on ethnographic research on lap dancing work, this paper focuses on how the subjectivities, ...
This PhD thesis focuses on women’s lived, embodied experiences of working in the lap dancing industr...
This paper seeks to characterise the gendered and sexualised power relations of both female and male...
Drawing on ethnographic research on lap dancing work, this paper focuses on how the subjectivities, ...
This article analyses the growth of professional equality in the Scottish dance industry. It defines...
This paper seeks to characterise the gendered and sexualised power relations of both female and male...
Amidst a considerable body of literature on erotic dance, the voices of third parties, that is, the ...
This thesis examines contemporary theatre dance artists’ economic conduct to fill a gap in knowledge...
This article questions the progressive potential of media depictions of male strip shows. I examine ...