DOIAbstract
Review of The Shakespeare Theatre Company’s Oresteia (2019), Adapted by Ellen McLaughlin, Directed by Michael Kahn, Music by Kamala Sankaram, interview with Sankara
Review of The Shakespeare Theatre Company’s Oresteia (2019), Adapted by Ellen McLaughlin, Directed by Michael Kahn, Music by Kamala Sankaram, interview with Sankara
Review of Andrew Gurr, 'The Shakespeare Company, 1594-1642' (Cambridge: Cambridge University Press, ...
William Shakespeare’s classic “The Tempest” gets an East Asian interpretation in four performances M...
In lieu of an abstract, here is the review\u27s first paragraph: In this clearly written and thoroug...
William Shakespeare (1564–1616) is broadly recognized as the world's most noteworthy English-languag...
By comparatively reviewing two 2017 North American performances of Timon of Athens, this article ass...
Othello, directed by Clint Dyer for the National Theatre, The Lyttelton, London, 25 November and 16 ...
Verna Foster, City Desk 400 staff member, reviews a performance of Othello at the Chicago Shakespear...
Written by a team of leading international scholars, this Companion is designed to illuminate Shakes...
This summer, I conducted dramaturgical research on the plays Hamlet and The Comedy of Errors by Will...
For the Original Practice Shakespeare Festival (OPS Fest), the text of William Shakespeare's First F...
Verna Foster, City Desk 400 staff member, reviews Shakespeare\u27s Globe\u27s 2016 production of The...
World-Wide Shakespeares: Local Appropriations in Film and Performance. Edited by Sonia Massai. Abing...
This post-peer-review, pre-copyedit version of the article submitted to IUPUI ScholarWorks as part o...
Referring to several European productions of Hamlet between 2001 and 2014, Nicoleta Cinpoeş in this ...
Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, the Survey has p...
Review of Andrew Gurr, 'The Shakespeare Company, 1594-1642' (Cambridge: Cambridge University Press, ...
William Shakespeare’s classic “The Tempest” gets an East Asian interpretation in four performances M...
In lieu of an abstract, here is the review\u27s first paragraph: In this clearly written and thoroug...
William Shakespeare (1564–1616) is broadly recognized as the world's most noteworthy English-languag...
By comparatively reviewing two 2017 North American performances of Timon of Athens, this article ass...
Othello, directed by Clint Dyer for the National Theatre, The Lyttelton, London, 25 November and 16 ...
Verna Foster, City Desk 400 staff member, reviews a performance of Othello at the Chicago Shakespear...
Written by a team of leading international scholars, this Companion is designed to illuminate Shakes...
This summer, I conducted dramaturgical research on the plays Hamlet and The Comedy of Errors by Will...
For the Original Practice Shakespeare Festival (OPS Fest), the text of William Shakespeare's First F...
Verna Foster, City Desk 400 staff member, reviews Shakespeare\u27s Globe\u27s 2016 production of The...
World-Wide Shakespeares: Local Appropriations in Film and Performance. Edited by Sonia Massai. Abing...
This post-peer-review, pre-copyedit version of the article submitted to IUPUI ScholarWorks as part o...
Referring to several European productions of Hamlet between 2001 and 2014, Nicoleta Cinpoeş in this ...
Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, the Survey has p...
Review of Andrew Gurr, 'The Shakespeare Company, 1594-1642' (Cambridge: Cambridge University Press, ...
William Shakespeare’s classic “The Tempest” gets an East Asian interpretation in four performances M...
In lieu of an abstract, here is the review\u27s first paragraph: In this clearly written and thoroug...
Add to ORKG