David Allen is the Artistic Director of the Midland Actors Theatre. He has produced plays such as Waiting for Godot (2000), Lady Chatterley’s Lover (2001) and Macbeth (2004) but undoubtedly his greatest challenge as director was the production of The Children by Edward Bond in 2003. The experience took place at Washwood Heath Technology College in Birmingham with a group of Year 10 and 11 pupils. As part of the Theatre in Education paradigm, the play demands the involvement of young people in the problems of their own lives
This interview outlines the experience of Ellen Marie Kvaale, primary school teacher in Hoberg Prima...
This short article explores Peter Gill's attempts, at the National Theatre Studio in the 1980s, to c...
This paper (revised for publication) was initially presented at a Mid-America Theatre Conference Dir...
Education for sustainable development is a process that gives much importance to create a better, s...
Education for sustainable development is a process that gives much importance to create a better, s...
This thesis presents a case study of the process involved in the staging of a Theatre in Education p...
My goal as the production dramaturg for this year’s production of Love’s Labour’s Lost was to utiliz...
This study was designed to stage the drama Who\u27s Afraid of Virginia Woolf? by Edward Albee for pr...
Frank Barrie, a talented British Actor, came to Wright State University in 1985 to present his one-m...
This study looks at the nature of the children's engagement in the dramatic activities. It identifie...
The significant opportunities that the plays of Shakespeare and some of his more famous contemporari...
Interview with Director, Dawn Moore, and Designer, Bill Murdoch, in advance of Cap Theatre's product...
This book is a collection of three large-cast plays written in response to a very specific problem. ...
There is evidence to suggest that Bond criticism has begun to abandon certain preoccupations which h...
After directing an hour-long children\u27s play during January of 1997, I needed to reflect on the p...
This interview outlines the experience of Ellen Marie Kvaale, primary school teacher in Hoberg Prima...
This short article explores Peter Gill's attempts, at the National Theatre Studio in the 1980s, to c...
This paper (revised for publication) was initially presented at a Mid-America Theatre Conference Dir...
Education for sustainable development is a process that gives much importance to create a better, s...
Education for sustainable development is a process that gives much importance to create a better, s...
This thesis presents a case study of the process involved in the staging of a Theatre in Education p...
My goal as the production dramaturg for this year’s production of Love’s Labour’s Lost was to utiliz...
This study was designed to stage the drama Who\u27s Afraid of Virginia Woolf? by Edward Albee for pr...
Frank Barrie, a talented British Actor, came to Wright State University in 1985 to present his one-m...
This study looks at the nature of the children's engagement in the dramatic activities. It identifie...
The significant opportunities that the plays of Shakespeare and some of his more famous contemporari...
Interview with Director, Dawn Moore, and Designer, Bill Murdoch, in advance of Cap Theatre's product...
This book is a collection of three large-cast plays written in response to a very specific problem. ...
There is evidence to suggest that Bond criticism has begun to abandon certain preoccupations which h...
After directing an hour-long children\u27s play during January of 1997, I needed to reflect on the p...
This interview outlines the experience of Ellen Marie Kvaale, primary school teacher in Hoberg Prima...
This short article explores Peter Gill's attempts, at the National Theatre Studio in the 1980s, to c...
This paper (revised for publication) was initially presented at a Mid-America Theatre Conference Dir...