This book deals with the popular reception of early Italian television during the years of the so- called long “economic boom” (1954-1969). To do so, the author focuses on the Catholic and Communist audiences’ perception of the first TV programs. The investigation into these two main groups’ reception will be conduct- ed through the analysis of all the TV references published in the readers’ columns of the two most popular rotocalchi of those years: the Catholic magazine Famiglia Cristiana and the Communist weekly Vie Nuove. Showing the collective discourse about television, made by very different types of audiences through the use of letters published by these popular magazines, this study points out how television’s impact was also a medi...
This paper is aimed to outline the role assumed by the Italian Public Service Broadcasting (RAI) in ...
In his recent book, Jerome Bourdon has clearly showed that the ideal type of the “public service” is...
This article focuses on the reception, by Catholic spectators, of eroticism and sexuality in film an...
This book deals with the popular reception of early Italian television during the years of the so- c...
Le reazioni del pubblico e degli intellettuali al «fenomeno televisione» costituiscono l’oggetto di ...
This paper investigates the relationship between the broadcasting system and the overall political ...
This paper represents an extract from a larger project on TV consumption in Italy during the 1950s a...
The Italian state television channel started broadcasting in 1954. Watching the evening programs was...
The aim of this paper is to reconstruct the origins and the first decades of the US television by fo...
Nella prima fase di programmazione regolare della televisione italiana, tra la fine del periodo di s...
Nella prima fase di programmazione regolare della televisione italiana, tra la fine del periodo di s...
The main purpose of this thesis is to trace a «history of italian TV audiences», conceived on reader...
Obiettivo della tesi è stato quello di ricostruire una storia culturale della televisione italiana d...
This paper discusses the television broadcasting of Catholic Masses in Italy today from an interdis...
L’arrivo della televisione in Italia alla metà degli anni Cinquanta segna indubbiamente un punto di ...
This paper is aimed to outline the role assumed by the Italian Public Service Broadcasting (RAI) in ...
In his recent book, Jerome Bourdon has clearly showed that the ideal type of the “public service” is...
This article focuses on the reception, by Catholic spectators, of eroticism and sexuality in film an...
This book deals with the popular reception of early Italian television during the years of the so- c...
Le reazioni del pubblico e degli intellettuali al «fenomeno televisione» costituiscono l’oggetto di ...
This paper investigates the relationship between the broadcasting system and the overall political ...
This paper represents an extract from a larger project on TV consumption in Italy during the 1950s a...
The Italian state television channel started broadcasting in 1954. Watching the evening programs was...
The aim of this paper is to reconstruct the origins and the first decades of the US television by fo...
Nella prima fase di programmazione regolare della televisione italiana, tra la fine del periodo di s...
Nella prima fase di programmazione regolare della televisione italiana, tra la fine del periodo di s...
The main purpose of this thesis is to trace a «history of italian TV audiences», conceived on reader...
Obiettivo della tesi è stato quello di ricostruire una storia culturale della televisione italiana d...
This paper discusses the television broadcasting of Catholic Masses in Italy today from an interdis...
L’arrivo della televisione in Italia alla metà degli anni Cinquanta segna indubbiamente un punto di ...
This paper is aimed to outline the role assumed by the Italian Public Service Broadcasting (RAI) in ...
In his recent book, Jerome Bourdon has clearly showed that the ideal type of the “public service” is...
This article focuses on the reception, by Catholic spectators, of eroticism and sexuality in film an...