Austen is known for her development of free indirect style as a narrative form. Free indirect style is a fusion of narrator and character perspectives, a peculiar linguistic manipulation of deictic centres which allows for a semi-experiential representation of a character’s perceptions, thoughts and experiences. The style does not tell, it shows, and in doing so it invites close engagement with and empathetic reading of character, at the same time as maintaining the distance of a third-person narrative. This can be a powerful narrative device with complex effects.N/
The narrative device called free indirect discourse (FID) has received attention from literary sch...
Jane Austen wrote six novels during the late 18th and early 19th century. As this was a time before ...
Bakhtin’s views (1980:127-130) on the importance of studying speech representation and its interacti...
In this chapter I suggest that Jane Austen’s use of free indirect style has a far-reaching legacy in...
This study assesses the relationship between the diffusion of free indirect discourse and the declin...
This thesis will examine the precise ways in which British novelist Jane Austen uses free indirect d...
Why is the free indirect style such a useful narrative means to portray characters’ minds in fiction...
Although she is often touted as the author of “boring chick lit,” Jane Austen remains a literary gia...
Bakalaura darbā tiek pētīts brīvās netiešās runas izmantojums un funkcionalitāte Džeinas Ostinas rom...
This essay examines anticipation and real outcome structured as two oppositions in Jane Austen’s Pri...
Combining linguistic theory with analytical concepts and literary interpretation and appreciation, J...
The paper looks into modes of speech and thought presentation, with a particular interest in Free In...
This chapter considers the phenomenon of free indirect style, and what imaginative response it calls...
Jane Austen's novels are not novels of education in the traditionally limited sense, for her heroine...
This study examines the six published Austen novels through a close examination of repeated structur...
The narrative device called free indirect discourse (FID) has received attention from literary sch...
Jane Austen wrote six novels during the late 18th and early 19th century. As this was a time before ...
Bakhtin’s views (1980:127-130) on the importance of studying speech representation and its interacti...
In this chapter I suggest that Jane Austen’s use of free indirect style has a far-reaching legacy in...
This study assesses the relationship between the diffusion of free indirect discourse and the declin...
This thesis will examine the precise ways in which British novelist Jane Austen uses free indirect d...
Why is the free indirect style such a useful narrative means to portray characters’ minds in fiction...
Although she is often touted as the author of “boring chick lit,” Jane Austen remains a literary gia...
Bakalaura darbā tiek pētīts brīvās netiešās runas izmantojums un funkcionalitāte Džeinas Ostinas rom...
This essay examines anticipation and real outcome structured as two oppositions in Jane Austen’s Pri...
Combining linguistic theory with analytical concepts and literary interpretation and appreciation, J...
The paper looks into modes of speech and thought presentation, with a particular interest in Free In...
This chapter considers the phenomenon of free indirect style, and what imaginative response it calls...
Jane Austen's novels are not novels of education in the traditionally limited sense, for her heroine...
This study examines the six published Austen novels through a close examination of repeated structur...
The narrative device called free indirect discourse (FID) has received attention from literary sch...
Jane Austen wrote six novels during the late 18th and early 19th century. As this was a time before ...
Bakhtin’s views (1980:127-130) on the importance of studying speech representation and its interacti...