This is a special focus issue of MAI: Feminism & Visual Culture titled: 'Feminist New Materialist Practice - The Mattering of Methods'. MAI is an intersectional, transdisciplinary, open access academic/creative practice journal. All articles are always peer-reviewed. It showcases a range of transdisciplinary research by an international group of scholars working with the use of feminist new materialisms and related methods. It was edited in collaboration with academics from Goldsmiths, University of London and from Kingston University. All contents can be accessed at https://maifeminism.com/issues/focus-issue-4-new-materialisms/ Here is the editors' note: Dearest MAI Readers, It is not without excitement that we invite you to h...
This research presents the gap contemporary curatorial discourses have in terms of feminist theory a...
What does it mean, for a feminist, or a woman, to be a subject? And how can we, as objects that we n...
Abstract The feminist project has radicalised text/image relationships in myriad ways, disrupting t...
Feminist New Materialist Practice: The Mattering of Methods, a focus issue of MAI: Feminism & Visual...
This is the 3rd Issue of MAI: Feminism & Visual Culture -- an open access, academic/creative practic...
Research and art/s production practices are modes of thought already in the act. Contemporary arts p...
MAI offers its readers intersectional feminist criticism of global visual culture. We publish creati...
For the editors of this collection, new materialisms have always been the entanglement of epistemolo...
This paper re-turns to a workshop we co-organised in London in 2018 as part of a series called ‘how ...
How do materials and making come to matter in the messy practices of feminist teaching? This Lab Me...
There is a growing body of feminist scholarship that has taken up “new” materialisms to research chi...
Whether as a theoretical topic of inquiry or as a methodological platform for conducting research an...
We know how much matter and materiality influences, shapes and manipulates our becoming. Therefore h...
MAI: Feminism & Visual Culture invites authors with expertise in visual and cultural studies, as wel...
This is a poster created for an undergraduate research symposium where I presented my ASRA2017 proje...
This research presents the gap contemporary curatorial discourses have in terms of feminist theory a...
What does it mean, for a feminist, or a woman, to be a subject? And how can we, as objects that we n...
Abstract The feminist project has radicalised text/image relationships in myriad ways, disrupting t...
Feminist New Materialist Practice: The Mattering of Methods, a focus issue of MAI: Feminism & Visual...
This is the 3rd Issue of MAI: Feminism & Visual Culture -- an open access, academic/creative practic...
Research and art/s production practices are modes of thought already in the act. Contemporary arts p...
MAI offers its readers intersectional feminist criticism of global visual culture. We publish creati...
For the editors of this collection, new materialisms have always been the entanglement of epistemolo...
This paper re-turns to a workshop we co-organised in London in 2018 as part of a series called ‘how ...
How do materials and making come to matter in the messy practices of feminist teaching? This Lab Me...
There is a growing body of feminist scholarship that has taken up “new” materialisms to research chi...
Whether as a theoretical topic of inquiry or as a methodological platform for conducting research an...
We know how much matter and materiality influences, shapes and manipulates our becoming. Therefore h...
MAI: Feminism & Visual Culture invites authors with expertise in visual and cultural studies, as wel...
This is a poster created for an undergraduate research symposium where I presented my ASRA2017 proje...
This research presents the gap contemporary curatorial discourses have in terms of feminist theory a...
What does it mean, for a feminist, or a woman, to be a subject? And how can we, as objects that we n...
Abstract The feminist project has radicalised text/image relationships in myriad ways, disrupting t...