This thesis investigates the relationship between the modern old-time and alt.country movements through the comparison of four different female musicians: Abigail Washburn, Rayna Gellert, Gillian Welch, and Neko Case. These four women often pull from the same wellspring of old-time songs/structures/sounds, but their instincts come from exceptionally different places. The disparity between the ways they approach their music, reveals how the push toward modern capitalist industrialism has affected how different artists and communities access and transmit those old-world icons and sounds. Furthermore, their engagement specifically with the topic of gender exposes key tactical differences. Old-time musicians, Washburn and Gellert, work within t...
The Rolling Stone Illustrated History of Rock&Roll (1980) distinguishes the rock group, the Band, an...
Throughout the long 1970s, country music actively sought to cultivate a more traditional, “authentic...
This article discusses the origins of the commercialization of rural Southern music into the country...
This thesis investigates the relationship between the modern old-time and alt.country movements thro...
Appalachian old-time music, or acoustic folk music from the southern Appalachians before the mid-192...
This thesis focuses on the question of authenticity in old-time music, and the ways in which it is s...
Preface: This paper presents evidence from mixed-methods research that outsiders involved in the o...
My thesis is a cultural analysis of California-based country-rock movement in the late sixties and e...
This dissertation examines varied practices of and debates that circulate around American old-time m...
This thesis explores aesthetic developments in the American folk revival by examining the career of ...
poster abstractTraditional music in America is at a crossroads in the present day as post-industrial...
Throughout the long 1970s, country music actively sought to cultivate a more traditional, “authent...
This thesis uses qualitative research methods to elaborate on Ralph Blizard’s legacy in the old-time...
This thesis sheds light upon the nostalgic choices being made by people from the millennial generati...
During the 1980s, women in country music enjoyed unprecedented success in record sales, television, ...
The Rolling Stone Illustrated History of Rock&Roll (1980) distinguishes the rock group, the Band, an...
Throughout the long 1970s, country music actively sought to cultivate a more traditional, “authentic...
This article discusses the origins of the commercialization of rural Southern music into the country...
This thesis investigates the relationship between the modern old-time and alt.country movements thro...
Appalachian old-time music, or acoustic folk music from the southern Appalachians before the mid-192...
This thesis focuses on the question of authenticity in old-time music, and the ways in which it is s...
Preface: This paper presents evidence from mixed-methods research that outsiders involved in the o...
My thesis is a cultural analysis of California-based country-rock movement in the late sixties and e...
This dissertation examines varied practices of and debates that circulate around American old-time m...
This thesis explores aesthetic developments in the American folk revival by examining the career of ...
poster abstractTraditional music in America is at a crossroads in the present day as post-industrial...
Throughout the long 1970s, country music actively sought to cultivate a more traditional, “authent...
This thesis uses qualitative research methods to elaborate on Ralph Blizard’s legacy in the old-time...
This thesis sheds light upon the nostalgic choices being made by people from the millennial generati...
During the 1980s, women in country music enjoyed unprecedented success in record sales, television, ...
The Rolling Stone Illustrated History of Rock&Roll (1980) distinguishes the rock group, the Band, an...
Throughout the long 1970s, country music actively sought to cultivate a more traditional, “authentic...
This article discusses the origins of the commercialization of rural Southern music into the country...