Two Haitian authors living and writing in Montral, Emile Ollivier and Dany Laferrière, use the figure of the zombi to represent a long-standing dialogue of interiority and exteriority between the United States and Haiti. Ollivier's 1986 novel, La discorde aux cent voix, and Laferrière's 1997 novel, Pays sans chapeau, are both narratives that reflect the penetration of exteriority into Haitian identity, employing the zombi as an integral part of this reflection. References to the zombi, a definably Haitian entity that has captured the fascination of American popular culture, serve as expressions of the voices of exteriority that pervade Haitian literary expression. In this thesis, I propose an analysis of the ways in which intertextual and t...
In this paper, I argue that the fundamental Haitian values of the struggle for freedom and the preva...
UnrestrictedMy dissertation retraces the ways in which Haitian literature makes the prison an unexpe...
International audienceIf at its beginning, during the second half of the 19th century, the Haitian n...
Two Haitian authors living and writing in Montral, Emile Ollivier and Dany Laferrière, use the figur...
In her novel Bain de Lune, Haitian writer Yanick Lahens opens the doors of her native country to a W...
This article examines how Florida is depicted in Passages (1991) by Émile Ollivier and in Cette gren...
Based on my research, there is no book-length study that examines the representation of the American...
Les premiers discours sur l’art en Haïti ont été envisagés à partir de la question de l’autre. Il s’...
As a result of the “cultural turn” in translation studies, attention has shifted away from the back ...
International audienceLa Flambeau (a play) and Sainte Dérivée des trottoirs (a poetic prose) by Faub...
<p>This dissertation explores the themes of race and resistance in nineteenth-century Haitian writin...
The US Occupation of Haiti from 1915 to 1934 altered the way Haitians perceived and related to forei...
Dany Laferrière, a member of the Académie Française since December 2013, is a native Haitian writer ...
International audienceThis book studies the universe of Haitian plastic creation over time, since th...
This dissertation examines the theme of hybrid identities in Mabanckou, Laferrière, Beyala and Wekap...
In this paper, I argue that the fundamental Haitian values of the struggle for freedom and the preva...
UnrestrictedMy dissertation retraces the ways in which Haitian literature makes the prison an unexpe...
International audienceIf at its beginning, during the second half of the 19th century, the Haitian n...
Two Haitian authors living and writing in Montral, Emile Ollivier and Dany Laferrière, use the figur...
In her novel Bain de Lune, Haitian writer Yanick Lahens opens the doors of her native country to a W...
This article examines how Florida is depicted in Passages (1991) by Émile Ollivier and in Cette gren...
Based on my research, there is no book-length study that examines the representation of the American...
Les premiers discours sur l’art en Haïti ont été envisagés à partir de la question de l’autre. Il s’...
As a result of the “cultural turn” in translation studies, attention has shifted away from the back ...
International audienceLa Flambeau (a play) and Sainte Dérivée des trottoirs (a poetic prose) by Faub...
<p>This dissertation explores the themes of race and resistance in nineteenth-century Haitian writin...
The US Occupation of Haiti from 1915 to 1934 altered the way Haitians perceived and related to forei...
Dany Laferrière, a member of the Académie Française since December 2013, is a native Haitian writer ...
International audienceThis book studies the universe of Haitian plastic creation over time, since th...
This dissertation examines the theme of hybrid identities in Mabanckou, Laferrière, Beyala and Wekap...
In this paper, I argue that the fundamental Haitian values of the struggle for freedom and the preva...
UnrestrictedMy dissertation retraces the ways in which Haitian literature makes the prison an unexpe...
International audienceIf at its beginning, during the second half of the 19th century, the Haitian n...