Add to ORKGTiphaine Karsenti et Lucie Thévenet (dir.).International audienceIf the representation of war in ancient tragedy may be of some relevance to the contemporary stage, it is because of the specificity of its dramatic dimension. We would like to reflect on the possibility for the dramaturgy of ancient tragedy to help us represent/envisage/feel the complexity and the disturbing, or even monstrous nature of contemporary wars, notwithstanding the separation, spelled by Aristotle, between tragedy and monstrosity. In what ways can contemporary drama seek, in ancient drama, a possibility of touching/transforming the individual and the community, when representing war ? To avoid too many examples we will deal with three productions : The Trojan Women,...
International audienceNowhere has the Nachleben of Roman historiography been more visible and produc...
Fontbonne Theatre Introduction Greek tragedy has been called a school of patriotism and Euripides wa...
International audienceIn a century that experienced two World Wars, vast technological developments,...
Theatre replays the past in the present. What does it tell us of the Trojan War, that symbolic event...
In this dissertation, I approach the interpretation of a classical text in performance by examining ...
Troilus and Cressida and the Fall of Troy The plot of Troilus and Cressida has often puzzled specta...
A surprisingly young audience whooped with perverse pleasure at the end of the harrowing Women Of Tr...
International audienceWhen attempting to assess the critical strenghth of Euripides’ Trojan Women, r...
Ancient myths from the Mediterranean Culture often become a language used to express current social ...
War as Spectacle examines the display of armed conflict in classical antiquity and its impact in the...
Numerous commentators have recently noted that the ancient art form of Greek tragedy has been underg...
Why do revivals and adaptations of Greek tragedy still abound in twenty-first-century European natio...
This paper compares the reception of the Trojan War in several contemporary performances of Agamemno...
National audienceThe characters in Euripides' Trojan Women evoke different places in the city of Tro...
International audienceNowhere has the Nachleben of Roman historiography been more visible and produc...
Fontbonne Theatre Introduction Greek tragedy has been called a school of patriotism and Euripides wa...
International audienceIn a century that experienced two World Wars, vast technological developments,...
Theatre replays the past in the present. What does it tell us of the Trojan War, that symbolic event...
In this dissertation, I approach the interpretation of a classical text in performance by examining ...
Troilus and Cressida and the Fall of Troy The plot of Troilus and Cressida has often puzzled specta...
A surprisingly young audience whooped with perverse pleasure at the end of the harrowing Women Of Tr...
International audienceWhen attempting to assess the critical strenghth of Euripides’ Trojan Women, r...
Ancient myths from the Mediterranean Culture often become a language used to express current social ...
War as Spectacle examines the display of armed conflict in classical antiquity and its impact in the...
Numerous commentators have recently noted that the ancient art form of Greek tragedy has been underg...
Why do revivals and adaptations of Greek tragedy still abound in twenty-first-century European natio...
This paper compares the reception of the Trojan War in several contemporary performances of Agamemno...
National audienceThe characters in Euripides' Trojan Women evoke different places in the city of Tro...
International audienceNowhere has the Nachleben of Roman historiography been more visible and produc...
Fontbonne Theatre Introduction Greek tragedy has been called a school of patriotism and Euripides wa...
International audienceIn a century that experienced two World Wars, vast technological developments,...