Add to ORKGOver a period of ten years Paul Ewing documented the life of his family on film – initially using Super 8 film and then converting to VHS with the advent of the new technology. Through the lens of home movies, autoethnography and memory I discuss his approach to amateur image making and its lasting legacy
This dissertation begins from the position that cinema’s ongoing persistence as a specific operation...
What would our idea of memory be without the moving image? Memory, Forgetting and the Moving Image e...
The aim of this article is to study the use of home movies in films made with an autobiographical ap...
This book examines the challenges often experienced by film practitioners who find themselves resear...
Autobiographical documentary films involve the first-person recollection by filmmakers of events tha...
The aim of this article is to study the use of home movies in films made with an autobiographical ap...
On the 50th anniversary of the Aberfan disaster - the conference examined the importance of remember...
With digital technology now dominating the film and photography industry, analog resources are becom...
Distant vestiges of memory incite my art making. By examining my biographical past through various s...
The internal processes by which we remember and learn (mnēmē) are in tension with the exterior mnemo...
This article intends to analyze the representation of personal memory in Alan Berliner’s film First ...
The personal documentary and the biographical film, at their very best, reflect both a desire to dis...
This article presents an ongoing project, Mneme‐Automaton/Memory‐Machine , which involves collaborat...
Memories of a Family is a short essay film that communicates the complicated dynamic between person...
Much has been written about memory and its link with the visual where memory is likened to our recol...
This dissertation begins from the position that cinema’s ongoing persistence as a specific operation...
What would our idea of memory be without the moving image? Memory, Forgetting and the Moving Image e...
The aim of this article is to study the use of home movies in films made with an autobiographical ap...
This book examines the challenges often experienced by film practitioners who find themselves resear...
Autobiographical documentary films involve the first-person recollection by filmmakers of events tha...
The aim of this article is to study the use of home movies in films made with an autobiographical ap...
On the 50th anniversary of the Aberfan disaster - the conference examined the importance of remember...
With digital technology now dominating the film and photography industry, analog resources are becom...
Distant vestiges of memory incite my art making. By examining my biographical past through various s...
The internal processes by which we remember and learn (mnēmē) are in tension with the exterior mnemo...
This article intends to analyze the representation of personal memory in Alan Berliner’s film First ...
The personal documentary and the biographical film, at their very best, reflect both a desire to dis...
This article presents an ongoing project, Mneme‐Automaton/Memory‐Machine , which involves collaborat...
Memories of a Family is a short essay film that communicates the complicated dynamic between person...
Much has been written about memory and its link with the visual where memory is likened to our recol...
This dissertation begins from the position that cinema’s ongoing persistence as a specific operation...
What would our idea of memory be without the moving image? Memory, Forgetting and the Moving Image e...
The aim of this article is to study the use of home movies in films made with an autobiographical ap...