Decorating the columns of the nave in Cave 2 are more figures of the gods inhabiting the Buddha's paradise, They form a row of sacred courtiers in the nave of the hall and sit in Buddha fashion with attendants as if collected in mass to meditate with the master, They do, instead, talk or gesture with their attendants from their seated postures so that the spectator seems to be a part of the divine conversation without actually being invited to speak, The god shown in our detail is Naga, king of the serpent deities, who live beneath the earth's crust and keep the precious minerals there, Behind his head is the atrribute of the numbus of hooded snakes, which also characterize Vishnu and occasionally the Tirthankaras (saviors) of the Jainan re...
Shiva as Nataraja performing the Tandava (cosmic dance); detail; The name Elephanta is derived from ...
Comparing the interior of the Karla chaitya hall with that of the Ajanta Cave No. 10, it is noticeab...
The Jainas went on cutting sanctuaries in the rocks of Ellora until relatively recently. The style o...
Cave 2 is another chaitya hall at Ajanta and is dated the 6th or very early 7th century A.D. The att...
Among the deities represented in the ceiling of Cave 1 is the jovial little god, Kubera, who preside...
The painting on the cave wall depicts several seated half-clothed figures inside an architectural se...
It has also been observed by B, Rowland that the paintings at Ajanta could be studied for their docu...
Cave 19 at Ajanta represents the end of the development of the refined Classic Gupta style in Indian...
The chaitya halls in Caves 1 and 2 are primarily known for the excellence of their decoration, both ...
The majority of the murals in Cave 2 at Ajanta deal with a long procession of Buddhist devotees comi...
The other figured decorations are described in the same poetic language as the Beautiful Bodhisattva...
We mentioned earlier that the rock-cut sanctuaries of Ajanta were a type-site for Gupta art, This is...
Of the 29 caves at Ajanta, only four are chaitya halls, and the others are Viharas (monk's dwelling)...
We now leave the progression of chaitya halls momentarily to look at the second type of structure ca...
The walls of this vihara are covered with carvings which used to be painted, Represents a seated yak...
Shiva as Nataraja performing the Tandava (cosmic dance); detail; The name Elephanta is derived from ...
Comparing the interior of the Karla chaitya hall with that of the Ajanta Cave No. 10, it is noticeab...
The Jainas went on cutting sanctuaries in the rocks of Ellora until relatively recently. The style o...
Cave 2 is another chaitya hall at Ajanta and is dated the 6th or very early 7th century A.D. The att...
Among the deities represented in the ceiling of Cave 1 is the jovial little god, Kubera, who preside...
The painting on the cave wall depicts several seated half-clothed figures inside an architectural se...
It has also been observed by B, Rowland that the paintings at Ajanta could be studied for their docu...
Cave 19 at Ajanta represents the end of the development of the refined Classic Gupta style in Indian...
The chaitya halls in Caves 1 and 2 are primarily known for the excellence of their decoration, both ...
The majority of the murals in Cave 2 at Ajanta deal with a long procession of Buddhist devotees comi...
The other figured decorations are described in the same poetic language as the Beautiful Bodhisattva...
We mentioned earlier that the rock-cut sanctuaries of Ajanta were a type-site for Gupta art, This is...
Of the 29 caves at Ajanta, only four are chaitya halls, and the others are Viharas (monk's dwelling)...
We now leave the progression of chaitya halls momentarily to look at the second type of structure ca...
The walls of this vihara are covered with carvings which used to be painted, Represents a seated yak...
Shiva as Nataraja performing the Tandava (cosmic dance); detail; The name Elephanta is derived from ...
Comparing the interior of the Karla chaitya hall with that of the Ajanta Cave No. 10, it is noticeab...
The Jainas went on cutting sanctuaries in the rocks of Ellora until relatively recently. The style o...