We are, by this time, thoroughly familiar with the Salabhanjika sculptures referring to the sports or pastimes engaged in by the females of [the] royal household or, on the cosmic level, the nymphs of Indra's celestial realm, Here, the Yakshi is participating in the estival called salabhanjika: the gathering of the sala blossoms: the term which gave the type of scene depicted its name, Soft contours subtly create the form of the Yakshi's body, and no harsh angles impose upon her to make her nonchalant attitude clumsy in any way, -- Provenance unknown, Mathura, Curzon Museum
More direct links to the past are recognizable for the female deities than for the male, Fertility o...
High relief representation of yaksi of a flamboyance and sensuality of expression surpassing anythin...
On the obverse of the Maholi Bacchanalian group, the reverse of which we saw in slide 21, the drinki...
Again the formula of the lovely female takes primary position in railing decoration in these example...
Railing pillars received a great amount of attention from both Buddhist and Jainan Kushan artists wh...
The Yakshi, as we mentioned earlier, is the favorite pillar decoration of Mathuran sculptors, As a t...
Kushan railing pillars show the most attentive originality of all Kushan sculpture at Mathura, espec...
The same charm of womanly beauty is evidenced in the present example from Jisinpur, Like the previou...
A highly refined and unified style of carving is displayed on the railings decorated by Mathuran art...
One goddess figure known in numerous forms as the 'Universal Power' of living things is Camunda (als...
Chronologically, this pillar, carved with a Yaksha figure, dates between the Sanchi Stupa No. 2 and ...
Female figures were the object of much admiration and attention on the part of Mathuran sculptures [...
A very prominent and well represented group of sculpture from Mathura is composed of reliefs devoted...
Though Maurya art under Asoka is particularly noted for its architectural achievements, other types ...
We should not be under the impression that Mathuran sculptures were not influenced by outside source...
More direct links to the past are recognizable for the female deities than for the male, Fertility o...
High relief representation of yaksi of a flamboyance and sensuality of expression surpassing anythin...
On the obverse of the Maholi Bacchanalian group, the reverse of which we saw in slide 21, the drinki...
Again the formula of the lovely female takes primary position in railing decoration in these example...
Railing pillars received a great amount of attention from both Buddhist and Jainan Kushan artists wh...
The Yakshi, as we mentioned earlier, is the favorite pillar decoration of Mathuran sculptors, As a t...
Kushan railing pillars show the most attentive originality of all Kushan sculpture at Mathura, espec...
The same charm of womanly beauty is evidenced in the present example from Jisinpur, Like the previou...
A highly refined and unified style of carving is displayed on the railings decorated by Mathuran art...
One goddess figure known in numerous forms as the 'Universal Power' of living things is Camunda (als...
Chronologically, this pillar, carved with a Yaksha figure, dates between the Sanchi Stupa No. 2 and ...
Female figures were the object of much admiration and attention on the part of Mathuran sculptures [...
A very prominent and well represented group of sculpture from Mathura is composed of reliefs devoted...
Though Maurya art under Asoka is particularly noted for its architectural achievements, other types ...
We should not be under the impression that Mathuran sculptures were not influenced by outside source...
More direct links to the past are recognizable for the female deities than for the male, Fertility o...
High relief representation of yaksi of a flamboyance and sensuality of expression surpassing anythin...
On the obverse of the Maholi Bacchanalian group, the reverse of which we saw in slide 21, the drinki...