Add to ORKGSole examples of portrait sculpture known in ancient India, Forman influence? Inscription reads 'The great King, the King of Kings, His Majesty Kanishka', Frontal, with hands resting on sword and mace, Headless, but could reconstruct the image by adding the massive bearded head with peaked hat from coin-portraits, Clad in a stiff mantle and heavy padded boots of a type still found in Gilgit, This unsuitable costume perhaps assumed for ceremonial purposes
In the study of Indian art prior to the Mughal period, portraiture has so far been much neglected, w...
One of the most remarkable artistic achievements of the Mughal Empire was the emergence in the early...
Buddha on wooden throne in preaching pose, two monks on stone seats at right, To left, King Udayana ...
Among the most remarkable finds at Mathura are a number of royal effigies which are outstanding in t...
Ghandara was one of two major artistic regions under the Kushan dynasty, The second was Mathura, who...
Represents Kanishka's predecessor sitting on a lion-throne, wearing the short tunic and heavy felt b...
Both the Wima and Kanishka sculptures are representative of the first royal portrait figures in Indi...
The dignity of Kushan rulers as seen in their portraits on coins is confined in larger stone sculptu...
A group of about half a dozen heads classified as portraits have been found at Mathura, some with di...
A Kushan princely figure (Fig.3) excavated at the sanctuary of Surkh Kotal situated in northern Afgh...
By the 13th century, some regions of India showed a marked decline in their sculptural qualities so ...
This is probably a portrait of a noble warrior. Note the treatment of the beard. This piece of sculp...
Images of kings on traditional Indian architecture has been a neglected area of study. This paper ai...
Iconographically, the art of Ghandara acepted the life story of Buddha, the Jataka scenes, male and ...
The head is a plastic compromise between the dry, mask-like treatment of Gandhara and the fullness o...
In the study of Indian art prior to the Mughal period, portraiture has so far been much neglected, w...
One of the most remarkable artistic achievements of the Mughal Empire was the emergence in the early...
Buddha on wooden throne in preaching pose, two monks on stone seats at right, To left, King Udayana ...
Among the most remarkable finds at Mathura are a number of royal effigies which are outstanding in t...
Ghandara was one of two major artistic regions under the Kushan dynasty, The second was Mathura, who...
Represents Kanishka's predecessor sitting on a lion-throne, wearing the short tunic and heavy felt b...
Both the Wima and Kanishka sculptures are representative of the first royal portrait figures in Indi...
The dignity of Kushan rulers as seen in their portraits on coins is confined in larger stone sculptu...
A group of about half a dozen heads classified as portraits have been found at Mathura, some with di...
A Kushan princely figure (Fig.3) excavated at the sanctuary of Surkh Kotal situated in northern Afgh...
By the 13th century, some regions of India showed a marked decline in their sculptural qualities so ...
This is probably a portrait of a noble warrior. Note the treatment of the beard. This piece of sculp...
Images of kings on traditional Indian architecture has been a neglected area of study. This paper ai...
Iconographically, the art of Ghandara acepted the life story of Buddha, the Jataka scenes, male and ...
The head is a plastic compromise between the dry, mask-like treatment of Gandhara and the fullness o...
In the study of Indian art prior to the Mughal period, portraiture has so far been much neglected, w...
One of the most remarkable artistic achievements of the Mughal Empire was the emergence in the early...
Buddha on wooden throne in preaching pose, two monks on stone seats at right, To left, King Udayana ...