The purpose of this paper is to spark discussions on the recent trends of designing vineyard and surround-type concert halls. We understand that these halls could be architecturally unique and many conductors like them, however, as outlined in this paper, they do not always serve the best for music acoustically. The motivation for visual proximity is easily understandable, but it should not overrule the acoustical conditions. We hope that this paper helps designers of new concert venues. We also hope to see more research and discussion on the acoustical qualities of these modern concert halls.Peer reviewe
[EN] Acoustic perception in concert halls has been a topic of research of great interest over the la...
In the first 150 years after 1600, western music was traditionally performed in palace ballrooms whi...
The aim of this thesis is to identify design challenges and opportunities of a Music Centre. The the...
The article analyzes the influence of the architecture of the concert hall on acoustics and the form...
The growth of sound in a concert hall is reviewed with emphasis on hearing the direct sound clearly....
This report describes the development of a multifunctional building and the research that supports t...
The issue of sound quality has been studied in architecture for centuries. Formal qualities of conce...
We depend on our collective senses in order to rationalize and negotiate space. Unfortunately, sound...
The main aim of this paper is to identify how acoustics where generally achieve in auditoriums base ...
The design of auditoria and opera houses requires particular care for the stage area, where several ...
This paper gives an overview of the history of the development of architectural acoustics and a samp...
April 15, 2005 the new concert hall for symphonic music, Casa da Música in Porto, Portugal, has been...
The design of auditoria and opera houses requires particular care for the stage area, where several ...
The most important characteristic of any concert hall must be the sound that it delivers to the list...
Concert halls are designed for attentively listening to music. To guarantee that the listening exper...
[EN] Acoustic perception in concert halls has been a topic of research of great interest over the la...
In the first 150 years after 1600, western music was traditionally performed in palace ballrooms whi...
The aim of this thesis is to identify design challenges and opportunities of a Music Centre. The the...
The article analyzes the influence of the architecture of the concert hall on acoustics and the form...
The growth of sound in a concert hall is reviewed with emphasis on hearing the direct sound clearly....
This report describes the development of a multifunctional building and the research that supports t...
The issue of sound quality has been studied in architecture for centuries. Formal qualities of conce...
We depend on our collective senses in order to rationalize and negotiate space. Unfortunately, sound...
The main aim of this paper is to identify how acoustics where generally achieve in auditoriums base ...
The design of auditoria and opera houses requires particular care for the stage area, where several ...
This paper gives an overview of the history of the development of architectural acoustics and a samp...
April 15, 2005 the new concert hall for symphonic music, Casa da Música in Porto, Portugal, has been...
The design of auditoria and opera houses requires particular care for the stage area, where several ...
The most important characteristic of any concert hall must be the sound that it delivers to the list...
Concert halls are designed for attentively listening to music. To guarantee that the listening exper...
[EN] Acoustic perception in concert halls has been a topic of research of great interest over the la...
In the first 150 years after 1600, western music was traditionally performed in palace ballrooms whi...
The aim of this thesis is to identify design challenges and opportunities of a Music Centre. The the...