AbstractHumans rarely confuse variations in light intensity, such as shadows, shading, light sources and specular reflections, from variations in material properties, such as albedo or pigment. This review explores the cues, or regularities in the visual world that evidence suggests vision exploits to discriminate light from material. These cues include luminance relations, figural relations, 3D-shape, depth, colour, texture, and motion. On the basis of an examination of the cues together with the behavioural evidence that they are used by vision, I propose a set of heuristics that may guide vision in the task of distinguishing between light and material. I argue that while there is evidence for the use of these heuristics, little is known ...
When light strikes a translucent material (such as wax, milk or fruit flesh), it enters the body of ...
AbstractMisidentifying materials—such as mistaking soap for pâté, or vice versa—could lead to some p...
When light strikes a translucent material (such as wax, milk or fruit flesh), it enters the body of ...
AbstractHumans rarely confuse variations in light intensity, such as shadows, shading, light sources...
Three scene properties determine the image of a 3D object: the material reflectance, the illuminatio...
When we look at everyday things, we not only perceive their 3D shape and identity, but also we gener...
We review recent work on the role of natural illumination in human vision. We discuss research show...
When judging the optical properties of a translucent object, humans often look at sharp geometric fe...
The appearance of objects in scenes is determined by their shape, material properties and by the lig...
Many common materials, including fruit, wax and human skin, are somewhat translucent. What makes an...
Materials are omnipresent. Recognizing materials helps us with inferring their physical and chemical...
Many commonly occurring substances are somewhat translucent (e.g. wax, jade, fruit-flesh, and cheese...
<p>Human observers are able to successfully infer direction and intensity of light from photographed...
Photographers and lighting designers set up lighting environments that best depict objects and human...
When light strikes a translucent material (such as wax, milk or fruit flesh), it enters the body of ...
AbstractMisidentifying materials—such as mistaking soap for pâté, or vice versa—could lead to some p...
When light strikes a translucent material (such as wax, milk or fruit flesh), it enters the body of ...
AbstractHumans rarely confuse variations in light intensity, such as shadows, shading, light sources...
Three scene properties determine the image of a 3D object: the material reflectance, the illuminatio...
When we look at everyday things, we not only perceive their 3D shape and identity, but also we gener...
We review recent work on the role of natural illumination in human vision. We discuss research show...
When judging the optical properties of a translucent object, humans often look at sharp geometric fe...
The appearance of objects in scenes is determined by their shape, material properties and by the lig...
Many common materials, including fruit, wax and human skin, are somewhat translucent. What makes an...
Materials are omnipresent. Recognizing materials helps us with inferring their physical and chemical...
Many commonly occurring substances are somewhat translucent (e.g. wax, jade, fruit-flesh, and cheese...
<p>Human observers are able to successfully infer direction and intensity of light from photographed...
Photographers and lighting designers set up lighting environments that best depict objects and human...
When light strikes a translucent material (such as wax, milk or fruit flesh), it enters the body of ...
AbstractMisidentifying materials—such as mistaking soap for pâté, or vice versa—could lead to some p...
When light strikes a translucent material (such as wax, milk or fruit flesh), it enters the body of ...