The essay studies festivals and theatre supported by the noble family Borromeo in the palace of Isola Bella (Lago Maggiore) from 1652 to the XVIIIth century. Naval festivals and naumachie were arranged on the occasion of family weddings during the second half of the XVIIth century. Since 1664 Count Vitaliano Borromeo organized also theatrical spectacles, intermedi, intermezzi, particularly operas, both in the gardens and in the palace, in honour of aristocratic guests. Some of the operas were produced in Lombardy (librettos by Carlo Maria Maggi, the most famous poet of the century in Milan), some were brought to the island from Rome. In 1666 a theatre with palchetti was built next to the palace. During the XVIIIth century the tradition of ...
Il saggio studia le forme dell'organizzazione teatrale nel XVII secolo e approfondisce in particolar...
International audienceIn seventeenth-century Rome, families of the high aristocracy such as the Colo...
In the seventeenth and early eighteenth centuries, comic opera existed almost exclusively as a local...
The monograph analyzes a "theatre festival" in honor of the wedding of Giulio and Dorotea Acquaviva,...
The genre of 'festa teatrale' had a large diffusion and a great social and political importance in t...
This essay traces a profile of festivals and theatre in Mantua during the Vincenzo I Gonzaga Age, ch...
In so-called Spanish Italy, or the Italian territories subject to the Spanish rule (the State of Mil...
International audienceIn 1670, the marriage between Giovanni Battista Rospigliosi, nephew of Pope Cl...
The article investigates a case study which shows the mix of patronage and actors and singers raisin...
Instruments of political nonverbal communication, parties and ceremonies were superb expression of t...
From La vittoria d’Imeneo, staged at the Teatro Regio in June 1750, by Giuseppe Bartoli and Baldassa...
The gradual increase in the variety and elaboration of public entertainment in Malta reached its cli...
Preziosa per gli studiosi è l’incisione del Regio Ducal Teatro di Milano che Dal Re realizzò in occa...
Il saggio analizza la vita teatrale a Milano negli ultimi trent\u2019anni dell\u2019Ottocento. In qu...
In 1665 the palace of the Duke of Girifalco hosts a selected group of aristocratic people for a rich...
Il saggio studia le forme dell'organizzazione teatrale nel XVII secolo e approfondisce in particolar...
International audienceIn seventeenth-century Rome, families of the high aristocracy such as the Colo...
In the seventeenth and early eighteenth centuries, comic opera existed almost exclusively as a local...
The monograph analyzes a "theatre festival" in honor of the wedding of Giulio and Dorotea Acquaviva,...
The genre of 'festa teatrale' had a large diffusion and a great social and political importance in t...
This essay traces a profile of festivals and theatre in Mantua during the Vincenzo I Gonzaga Age, ch...
In so-called Spanish Italy, or the Italian territories subject to the Spanish rule (the State of Mil...
International audienceIn 1670, the marriage between Giovanni Battista Rospigliosi, nephew of Pope Cl...
The article investigates a case study which shows the mix of patronage and actors and singers raisin...
Instruments of political nonverbal communication, parties and ceremonies were superb expression of t...
From La vittoria d’Imeneo, staged at the Teatro Regio in June 1750, by Giuseppe Bartoli and Baldassa...
The gradual increase in the variety and elaboration of public entertainment in Malta reached its cli...
Preziosa per gli studiosi è l’incisione del Regio Ducal Teatro di Milano che Dal Re realizzò in occa...
Il saggio analizza la vita teatrale a Milano negli ultimi trent\u2019anni dell\u2019Ottocento. In qu...
In 1665 the palace of the Duke of Girifalco hosts a selected group of aristocratic people for a rich...
Il saggio studia le forme dell'organizzazione teatrale nel XVII secolo e approfondisce in particolar...
International audienceIn seventeenth-century Rome, families of the high aristocracy such as the Colo...
In the seventeenth and early eighteenth centuries, comic opera existed almost exclusively as a local...