AbstractThe following paper serves primarily to discuss the nature and cause of the multiple, documented illnesses suffered by the 18th Century Spanish artist Francisco Goya y Lucientes. In doing so it explores the artist's defiance of contemporary social mores, religious doctrines and the rigid standards of artistic romanticism. Furthermore, it examines the impact of illness upon artistic expression and the apparent correlation between heightened artistic proficiency and clinical depression with particular reference to the aforementioned artist. In addition, it provides a brief insight into the complexion of medical practice in Spain during the period of the Inquisition contrasted with those standards of conduct encompassed within the newl...
Vincent van Gogh (1853–1890) was a wonderfully accomplished artist whose work is now widely apprecia...
During the first half on the nineteenth century, France developed an interest in Spanish art. Franci...
Realized between 1810 and 1820, then published in 1863, Goya’s etchings entitled Disasters of War im...
AbstractThe following paper serves primarily to discuss the nature and cause of the multiple, docume...
While the popular belief that Francisco de Goya (1746–1828) turned suddenly to dark, irrational subj...
Conventionally lauded as the luminous Age of Reason in which the fogs of religious superstition lift...
Francisco Goya’s highly emotional images of suffering and despair were an important influence on lat...
Goya remains an enigmatic figure of considerable interest to medical historians. There is limited in...
cientes (1746–1828) bridge the gulf in many ways, from the 18th-century Euro-pean masters to the ear...
The aim of this mini-thesis was to investigate if the Spanish artist Francisco Jose de Goya y Lucien...
Humanity has always shown a keen interest in the pathological, ranging from a morbid fascination wi...
This research paper analyzes four prints by the eighteenth-century Spanish artist, Francisco de Goya...
Francisco de Goya's depictions of demons, monsters, witches, goblins, and other supernatural beings ...
The aim of this thesis is to offer a re-evaluation of our cultural assumptions concerning the monstr...
The present work Francisco de Goya: Los Caprichos (Caprices) is dedicated to the analysis of the Fra...
Vincent van Gogh (1853–1890) was a wonderfully accomplished artist whose work is now widely apprecia...
During the first half on the nineteenth century, France developed an interest in Spanish art. Franci...
Realized between 1810 and 1820, then published in 1863, Goya’s etchings entitled Disasters of War im...
AbstractThe following paper serves primarily to discuss the nature and cause of the multiple, docume...
While the popular belief that Francisco de Goya (1746–1828) turned suddenly to dark, irrational subj...
Conventionally lauded as the luminous Age of Reason in which the fogs of religious superstition lift...
Francisco Goya’s highly emotional images of suffering and despair were an important influence on lat...
Goya remains an enigmatic figure of considerable interest to medical historians. There is limited in...
cientes (1746–1828) bridge the gulf in many ways, from the 18th-century Euro-pean masters to the ear...
The aim of this mini-thesis was to investigate if the Spanish artist Francisco Jose de Goya y Lucien...
Humanity has always shown a keen interest in the pathological, ranging from a morbid fascination wi...
This research paper analyzes four prints by the eighteenth-century Spanish artist, Francisco de Goya...
Francisco de Goya's depictions of demons, monsters, witches, goblins, and other supernatural beings ...
The aim of this thesis is to offer a re-evaluation of our cultural assumptions concerning the monstr...
The present work Francisco de Goya: Los Caprichos (Caprices) is dedicated to the analysis of the Fra...
Vincent van Gogh (1853–1890) was a wonderfully accomplished artist whose work is now widely apprecia...
During the first half on the nineteenth century, France developed an interest in Spanish art. Franci...
Realized between 1810 and 1820, then published in 1863, Goya’s etchings entitled Disasters of War im...