Changes in instrument combination patterns in Western classical orchestral music are traced over a three hundred year period from 1701 to 2000. Using a stratified sample of sonorities from 180 orchestral works by 147 composers, various empirical analyses are reported. These include analyses of instrumentation presence, instrument usage, ensemble size, common instrument combinations, instrument clusterings, and their changes over time. In addition, the study reports associations of different instruments with various dynamic levels, different tempos, pitch class doublings, affinities between instruments and chord factors, as well as interactions between pitch, dynamics, and tempo. Results affirm many common intuitions and historical observati...
The present study investigates the effect of a change in instrumentation on the recognition of music...
Tonality has been the cornerstone of Western music-theoretical discourse for centuries. This study a...
The aim of this study is to investigate our daily experience of rhythm. The frequency of occurrence ...
Changes in instrument combination patterns in Western classical orchestral music are traced over a t...
This commentary discusses the exploratory study by Chon, Huron and DeVlieger about the usage and com...
The Standard, Power, and Color (SPC) model describes the nexus between musical instrument combinatio...
Twenty-seven Major American Symphony Orchestras: A History and Analysis of Their Repertoires, Season...
was to elucidate the historical development of the Euro-pean major and minor modes. The study involv...
Archived article from Publisher's web site: http://www.sherpa.ac.uk/romeo.phpScholars have addressed...
This research establishes an initial step in codifying a specific and formalized textural theory of ...
The subject of this study is the historical development of a vehicle for a form of western art (the ...
ABSTRACT: Music historians have observed informally that Western music became increasingly chromati...
Scholars have addressed the tendency of U.S. symphony orchestras to perform the works of relatively ...
The purpose of this study is to examine the roots of orchestration which lie in the late sixteenth a...
The purpose of this study is to show how standards of pitch became a matter of importance in musical...
The present study investigates the effect of a change in instrumentation on the recognition of music...
Tonality has been the cornerstone of Western music-theoretical discourse for centuries. This study a...
The aim of this study is to investigate our daily experience of rhythm. The frequency of occurrence ...
Changes in instrument combination patterns in Western classical orchestral music are traced over a t...
This commentary discusses the exploratory study by Chon, Huron and DeVlieger about the usage and com...
The Standard, Power, and Color (SPC) model describes the nexus between musical instrument combinatio...
Twenty-seven Major American Symphony Orchestras: A History and Analysis of Their Repertoires, Season...
was to elucidate the historical development of the Euro-pean major and minor modes. The study involv...
Archived article from Publisher's web site: http://www.sherpa.ac.uk/romeo.phpScholars have addressed...
This research establishes an initial step in codifying a specific and formalized textural theory of ...
The subject of this study is the historical development of a vehicle for a form of western art (the ...
ABSTRACT: Music historians have observed informally that Western music became increasingly chromati...
Scholars have addressed the tendency of U.S. symphony orchestras to perform the works of relatively ...
The purpose of this study is to examine the roots of orchestration which lie in the late sixteenth a...
The purpose of this study is to show how standards of pitch became a matter of importance in musical...
The present study investigates the effect of a change in instrumentation on the recognition of music...
Tonality has been the cornerstone of Western music-theoretical discourse for centuries. This study a...
The aim of this study is to investigate our daily experience of rhythm. The frequency of occurrence ...