AbstractIn the course “Analysis of Architectonic Forms” of the Technical School of Architecture of Valencia, students experiment freehand drawing as a tool for understanding the genesis of architecture and its key elements: geometric composition, proportions, rhythms, spatial organization, function, relationship with the environment, etc. Nevertheless, it is necessary a process of “unlearning”, for those who have already internalized the basic fundamentals of drawing and architecture, to be able to propose new architectonic forms not based on logical thinking. To reach so, we point out a number of educational objectives based in concepts (I), processes (II) and attitudes (III), which are supported by the practice of spontaneous drawing and ...
How does the architecture student learn to draw? What? When? These are all legitimate questions, if ...
‘Literacy’ refers to the ability to both assign meaning to – and to create messages. Transposing thi...
The difficulty of teaching drawing during the first college stage, in visual arts, is clearly labori...
In the course "Analysis of Architectonic Forms" in the Higher Technical School of Architecture in Va...
This article describes a teaching experience related to the course of “Architectural Drawing”. The c...
This paper considers the connection between two essential facets of architecture: place and drawing....
There is often talk of the usefulness of freehand drawing as a practice to be acquired in the traini...
In the recent experimental study: "The architect's brain and the thinking hand" [1], the differences...
AbstractThe difficulty of teaching drawing during the first college stage, in visual arts, is clearl...
The notion of drawing skills that an architect shall be equipped with has several aspects. First of ...
This paper was guided by the following research question: how freehand drawing teaching influences ...
El PID aborda cómo el arte a través del dibujo manual enseñado bajo técnicas y métodos no ortodoxos,...
We start designing working and thinking with our hands. With them, we can shape an external object f...
This article provides investigation details of teaching architectural design as a fundamental part o...
Observational drawing ranks among the different features of drawing. It’s a basic exercise useful fo...
How does the architecture student learn to draw? What? When? These are all legitimate questions, if ...
‘Literacy’ refers to the ability to both assign meaning to – and to create messages. Transposing thi...
The difficulty of teaching drawing during the first college stage, in visual arts, is clearly labori...
In the course "Analysis of Architectonic Forms" in the Higher Technical School of Architecture in Va...
This article describes a teaching experience related to the course of “Architectural Drawing”. The c...
This paper considers the connection between two essential facets of architecture: place and drawing....
There is often talk of the usefulness of freehand drawing as a practice to be acquired in the traini...
In the recent experimental study: "The architect's brain and the thinking hand" [1], the differences...
AbstractThe difficulty of teaching drawing during the first college stage, in visual arts, is clearl...
The notion of drawing skills that an architect shall be equipped with has several aspects. First of ...
This paper was guided by the following research question: how freehand drawing teaching influences ...
El PID aborda cómo el arte a través del dibujo manual enseñado bajo técnicas y métodos no ortodoxos,...
We start designing working and thinking with our hands. With them, we can shape an external object f...
This article provides investigation details of teaching architectural design as a fundamental part o...
Observational drawing ranks among the different features of drawing. It’s a basic exercise useful fo...
How does the architecture student learn to draw? What? When? These are all legitimate questions, if ...
‘Literacy’ refers to the ability to both assign meaning to – and to create messages. Transposing thi...
The difficulty of teaching drawing during the first college stage, in visual arts, is clearly labori...