The paper discusses a case study of the integration of artistic practice in the digital humanities research. The methodology of encoding meaning in visual form is explained for four different sculptures and an artist book. The approach is tied to the allegoric thinking in building emblems and miniatures in the history of art (16th century and later). The use of diagrams is integrated in the experimental projections of a future archeology. The data of digital humanities research can achieve greater visibility and address a wider cultural context when presented in collaboration with art institutions
Emerging from the 1950s, Digital Humanities (DH) has gradually developed into an interdisciplinary r...
This dissertation is the first in-depth study of a new important area of contemporary visual and dig...
Digital 3D modelling and visualization technologies have been widely applied to support research in ...
Over the past year, artists and archaeologists at the University of Southampton have engineered a se...
In this essay, we are interested in investigating some of the possible relations between design and ...
The use of visualisation technologies is well established in digital cultural heritage. The earlier ...
Attempts to convince humanities scholars of digital approaches are met with resistance, often. The s...
The field of digital humanities incorporates several disciplines, united at the cross-over between c...
This work was supported by the Social Sciences and Humanities Research Council of Canada (SSHRC), gr...
The knowledge-intensive society paradigm fosters relationships between technology and human actors w...
The Making History Project is an attempt by artists and archaeologists based within the University o...
The Making History Project is an attempt by artists and archaeologists based within the University o...
The Making History Project is an attempt by artists and archaeologists based within the University o...
Archaeology abounds in visual media, both media artifacts from the past, as well as means of documen...
Considering its technological and thematical contexts, digital art conveys different – even more com...
Emerging from the 1950s, Digital Humanities (DH) has gradually developed into an interdisciplinary r...
This dissertation is the first in-depth study of a new important area of contemporary visual and dig...
Digital 3D modelling and visualization technologies have been widely applied to support research in ...
Over the past year, artists and archaeologists at the University of Southampton have engineered a se...
In this essay, we are interested in investigating some of the possible relations between design and ...
The use of visualisation technologies is well established in digital cultural heritage. The earlier ...
Attempts to convince humanities scholars of digital approaches are met with resistance, often. The s...
The field of digital humanities incorporates several disciplines, united at the cross-over between c...
This work was supported by the Social Sciences and Humanities Research Council of Canada (SSHRC), gr...
The knowledge-intensive society paradigm fosters relationships between technology and human actors w...
The Making History Project is an attempt by artists and archaeologists based within the University o...
The Making History Project is an attempt by artists and archaeologists based within the University o...
The Making History Project is an attempt by artists and archaeologists based within the University o...
Archaeology abounds in visual media, both media artifacts from the past, as well as means of documen...
Considering its technological and thematical contexts, digital art conveys different – even more com...
Emerging from the 1950s, Digital Humanities (DH) has gradually developed into an interdisciplinary r...
This dissertation is the first in-depth study of a new important area of contemporary visual and dig...
Digital 3D modelling and visualization technologies have been widely applied to support research in ...