This paper deals with the forms of satisfaction in the Critique of Judgement — disinterested affection for a beautiful form in a pure feeling, vital love for something sensorily pleasant, rational respect for unconditioned good, and non-self-regarding love for humanity. A synthetic union of the above gives the conceptual key to the critical philosophy of love, which was never fully articulated in Kant’s lectures or published works. Moral love and legal awareness prevent the encroachment of vital love, as the maxims of ‘barbarian taste’ are being overcome. Aesthetic love — which dwells in the element of sophisticated taste as a capacity to judge with pleasure in matters of beauty, free from any interest, and without the mediation of concepts...