Re-Imagining Artistic Subjectivities within Community Projects

In this article an artist and an academic consider how the idea of subjectivities manifests itself in community projects. Taking an example of an ‘artist-in-residence’ on a co-produced research project, the authors experientially consider how their work has been articulated and presented. We draw on a dialogue, jointly written on a research blog, to discuss this. We consider collective forms of theory building and whether it is possible to re-imagine theory within a future-oriented process. The approach is necessarily fragmented and, as within any co-produced enquiry, poly-vocal. We aim to open a window on an iterative thinking process moving between and across domains. We do not desire consensus or agreement; nothing is settled or sedimented within this text