Face and façade share not only the same etymological derivation, but also the appeal to the visual perceptual apparatus. Their operation as visual signs/texts, however, reaches far beyond the merely iconic; in the context of the Western culture, face and façade perform the role of the exterior as symbolically representing the interior. In spite of what they have in common, the two concepts connote different ethical values. Face, especially in the Levinasian sense, implies absolute sincerity and truthfulness; façade, as a “face of the building,” is in fact a simulacrum of the interior; it implies excess and uses performative-rhetorical devices of deception. Yet the metonimical representation of the inside by the façade naturalizes – through ...