From 1732 to 1749, the contribution of San Samuele acting company to the diffusion of tragedy was greater than that of every other troupe. Free from any tie or agreement with contemporary intellectuals and with the only purpose of pleasing their own public, Giuseppe Imer and Gaetano Casali staged numerous serious plays from different authors and genres: from Carlo Goldoni’s «opere sceniche» to translations of French tragedies, from works of classicist playwrights to those of their opponents, and finally, adaptations of librettos. The Grimani’s company, which always included excellent actors, staged impressive shows constantly balancing dreadful imageries and comic scenes. In this manner, differently from eminent predecessors of tragic scene...
Garibaldi landed in Marsala on 11 May 1860. In July of the same year, the Thousand were still fighti...
Goldoni non è stato soltanto autore di commedie distese 'riformate', ma anche di una complessa dramm...
The essay esamins some religious italian tragedies \u2013 Crisanto by Hortensio Scammacca (1632), Il...
From 1732 to 1749, the contribution of San Samuele acting company to the diffusion of tragedy was gr...
Goldoni’s tragicomedies while being less popular and lesser studiedthan his comedies nonetheless pro...
19th century Italian theatre is chiefly related to its interpreters’ vicissitudes. Actors are profes...
In the eighteenth century, Venice was not only a centre of theatre life but also a centre for discus...
Emotions are expressed not only with words but also with a gesture, body posture, mimi...
Many smaller theaters of the mid-eighteenth century were established in conjunction with the establi...
La critique littéraire et théâtrale a indiqué que le changement de la scène comique vénitienne de la...
Between the Eighteenth and Nineteenth century, the figure of Catilina risults as the leading hero of...
In the 1710s and 1720s, librettist Pietro Pariati and composer Francesco Bartolomeo Conti cultivated...
It is not surprising that theatre, a form of art by its nature ‘political’, has been a place and an ...
"Pubblicato sotto gli auspici di S. A. R. Il Principe D. Leopoldo Borbone, Conte di Siracusa."I-II. ...
Tragedia d’amore che mette in scena, come Othello, due amanti provenienti da due universi culturali ...
Garibaldi landed in Marsala on 11 May 1860. In July of the same year, the Thousand were still fighti...
Goldoni non è stato soltanto autore di commedie distese 'riformate', ma anche di una complessa dramm...
The essay esamins some religious italian tragedies \u2013 Crisanto by Hortensio Scammacca (1632), Il...
From 1732 to 1749, the contribution of San Samuele acting company to the diffusion of tragedy was gr...
Goldoni’s tragicomedies while being less popular and lesser studiedthan his comedies nonetheless pro...
19th century Italian theatre is chiefly related to its interpreters’ vicissitudes. Actors are profes...
In the eighteenth century, Venice was not only a centre of theatre life but also a centre for discus...
Emotions are expressed not only with words but also with a gesture, body posture, mimi...
Many smaller theaters of the mid-eighteenth century were established in conjunction with the establi...
La critique littéraire et théâtrale a indiqué que le changement de la scène comique vénitienne de la...
Between the Eighteenth and Nineteenth century, the figure of Catilina risults as the leading hero of...
In the 1710s and 1720s, librettist Pietro Pariati and composer Francesco Bartolomeo Conti cultivated...
It is not surprising that theatre, a form of art by its nature ‘political’, has been a place and an ...
"Pubblicato sotto gli auspici di S. A. R. Il Principe D. Leopoldo Borbone, Conte di Siracusa."I-II. ...
Tragedia d’amore che mette in scena, come Othello, due amanti provenienti da due universi culturali ...
Garibaldi landed in Marsala on 11 May 1860. In July of the same year, the Thousand were still fighti...
Goldoni non è stato soltanto autore di commedie distese 'riformate', ma anche di una complessa dramm...
The essay esamins some religious italian tragedies \u2013 Crisanto by Hortensio Scammacca (1632), Il...