This paper analyses the enabling and constraining role of platforms in the development of online video-spoofing culture in China. Using Tudou.com, one of China’s most popular video-sharing sites, as a case study, the paper discusses how video-sharing sites facilitate and curtail the self, and how they negotiate and balance among users, clients and the state, teasing out the complex politics of platforms in China. Particular reference is made to three “star users”, Jiaoshou, Hu Ge and Corndog, who gained fame for themselves via the popularity of their spoof videos on this platform
The relationship between online media platforms in China and fan groups is a dynamic one when it com...
This article examines consumer video activism tactics in China and their impact on Chinese consumers...
Explores how China has built an alternative online ecosystem based around state-based intervention w...
This paper analyses the enabling and constraining role of platforms in the development of online vid...
Current accounts of the development of the Chinese Internet have provided important analyses of the ...
This article investigates that relationship between e’gao (parody using web-based media) and Chinese...
Chinese Web users are using video spoofs in an attempt to reclaim expressive space in Chinese-langua...
This article studies the platformization of cultural production in China through the specific lens o...
This article studies the platformization of cultural production in China through the specific lens o...
A reflection of both the intensity of sharing practices and the appeal of shared content, the term ‘...
Short-video-based social media platforms (short-video-based [SVB] platforms) are becoming a common t...
In this essay the author describes and critically reflects on the online live-streaming phenomena in...
While a rich body of literature in television and film studies and media policy studies has tended t...
While a rich body of literature in television and film studies and media policy studies has tended t...
TikTok is the international twin of China’s mobile short video app, Douyin, and one of the fastest g...
The relationship between online media platforms in China and fan groups is a dynamic one when it com...
This article examines consumer video activism tactics in China and their impact on Chinese consumers...
Explores how China has built an alternative online ecosystem based around state-based intervention w...
This paper analyses the enabling and constraining role of platforms in the development of online vid...
Current accounts of the development of the Chinese Internet have provided important analyses of the ...
This article investigates that relationship between e’gao (parody using web-based media) and Chinese...
Chinese Web users are using video spoofs in an attempt to reclaim expressive space in Chinese-langua...
This article studies the platformization of cultural production in China through the specific lens o...
This article studies the platformization of cultural production in China through the specific lens o...
A reflection of both the intensity of sharing practices and the appeal of shared content, the term ‘...
Short-video-based social media platforms (short-video-based [SVB] platforms) are becoming a common t...
In this essay the author describes and critically reflects on the online live-streaming phenomena in...
While a rich body of literature in television and film studies and media policy studies has tended t...
While a rich body of literature in television and film studies and media policy studies has tended t...
TikTok is the international twin of China’s mobile short video app, Douyin, and one of the fastest g...
The relationship between online media platforms in China and fan groups is a dynamic one when it com...
This article examines consumer video activism tactics in China and their impact on Chinese consumers...
Explores how China has built an alternative online ecosystem based around state-based intervention w...