An Archaeological Approach to History’s Ownership: Since we were young, our teachers, parents and tutors have drilled pattern recognition into our subconscious, so by the time we reach maturity, it is second nature to ‘make things fit’. As a result, this paper focuses on the process of taking the abstract object and turning it into something which is seemingly tangible, relatable and able to grant power by identifying events in the past and crafting them into a modern perspective—making passed events contemporary manipulations. In other words, this analysis deals with humankind’s desire to control and attempts to own the elusive past by creating a desired, beneficial and, often times, faux historical narrative through an extremely limited h...
This thesis uses the two Egyptian obelisks known as Cleopatra’s Needles, and particularly that one n...
This paper argues that the past material culture of any human society should always be subjected to ...
Humans have been collecting artifacts for centuries, whether it is for their aesthetic value or for ...
How did past communities view, understand and communicate their pasts? And how can we, as archaeolog...
International audienceThis paper uses Classical antiquity as an example to examine how archaeologica...
How did past communities view, understand and communicate their pasts? And how can we, as archaeolog...
abstract: The matter of legitimate ownership over cultural artifacts has always been an area of grea...
PurposeThe purpose of this paper is to show and critically discuss the motivations, conflicting narr...
Abstract Neo-relics, constructions borrowing their looks from ancient structures or sites ranging f...
The subject of this paper is the archaeologically created past, seen as a reservoir of pleasure. The...
Following work on a master’s thesis about relocating monuments, the author reflects on the way that ...
This book explores how societies put the past to use and how, in the process, they represented it: i...
The long-standing relationship of archaeology with the art of its time is manifested variously throu...
This thesis explores how the Romans constructed their past and what it looked like by using its mate...
Artifacts are crucial to the understanding of past societies. Archaeologists are able to learn about...
This thesis uses the two Egyptian obelisks known as Cleopatra’s Needles, and particularly that one n...
This paper argues that the past material culture of any human society should always be subjected to ...
Humans have been collecting artifacts for centuries, whether it is for their aesthetic value or for ...
How did past communities view, understand and communicate their pasts? And how can we, as archaeolog...
International audienceThis paper uses Classical antiquity as an example to examine how archaeologica...
How did past communities view, understand and communicate their pasts? And how can we, as archaeolog...
abstract: The matter of legitimate ownership over cultural artifacts has always been an area of grea...
PurposeThe purpose of this paper is to show and critically discuss the motivations, conflicting narr...
Abstract Neo-relics, constructions borrowing their looks from ancient structures or sites ranging f...
The subject of this paper is the archaeologically created past, seen as a reservoir of pleasure. The...
Following work on a master’s thesis about relocating monuments, the author reflects on the way that ...
This book explores how societies put the past to use and how, in the process, they represented it: i...
The long-standing relationship of archaeology with the art of its time is manifested variously throu...
This thesis explores how the Romans constructed their past and what it looked like by using its mate...
Artifacts are crucial to the understanding of past societies. Archaeologists are able to learn about...
This thesis uses the two Egyptian obelisks known as Cleopatra’s Needles, and particularly that one n...
This paper argues that the past material culture of any human society should always be subjected to ...
Humans have been collecting artifacts for centuries, whether it is for their aesthetic value or for ...