Igino Benvenuto Supino belongs to the small group of art historians and scientists which realized, in the end of XIX century, that the photography (understood as workshop, opportunity to a personal examination) might be able to help the knowledge about artistic heritage and contribute to the growth of Art History, a newbirth subject, and involvement related in research, educational and renovation. Supino made full use of new technique for impression of images both photographing in person and directing of Bargello, and making numerous publications, and using it as visual aid during the teaching of Art History in University of Bologna in 1907
The paper touches upon some issues that have filled the critical debate raised around the art histor...
Analisi degli studi compiuti dallo storico dell'arte Igino Benvenuto Supino sui principali monumenti...
Igino Benvenuto Supino e Carlo Volpe hanno legato il loro nome all’istituto di Storia dell’arte dell...
Igino Benvenuto Supino belongs to the small group of art historians and scientists which realized, i...
This essay is focused on the photo archive belonging to Igino Benvenuto Supino, including more than ...
none1noThis essay is focused on the photo archive belonging to Igino Benvenuto Supino, including mor...
Supino’s extraordinary legacy, presented as a collection of documents in 1952 by the Critic’s heirs ...
Supino's legacy is an important history chapter of the collections of the Library named after him. T...
Igino Benvenuto Supino held the position of director of the Museo d'Arte Industriale of Bologna for ...
In Pisa, between 1891 and 1896, Supino decidedly took the path of historical-artistic research and o...
Fondatore del museo di Pisa nella chiesa e convento di San Francesco, diventa quindi direttore del M...
Igino Benvenuto Supino held the position of director of the Museo d'Arte Industriale of Bologna for ...
Il volume, a cura di Marinella Pigozzi con la collaborazione della Biblioteca e Fototeca “Igino Benv...
none1noSi tratta di sette schede di catalogo relative alla mostra che si è tenuta nel Dipartimento d...
Supino's legacy is an important history chapter of the collections of the Library named after him. T...
The paper touches upon some issues that have filled the critical debate raised around the art histor...
Analisi degli studi compiuti dallo storico dell'arte Igino Benvenuto Supino sui principali monumenti...
Igino Benvenuto Supino e Carlo Volpe hanno legato il loro nome all’istituto di Storia dell’arte dell...
Igino Benvenuto Supino belongs to the small group of art historians and scientists which realized, i...
This essay is focused on the photo archive belonging to Igino Benvenuto Supino, including more than ...
none1noThis essay is focused on the photo archive belonging to Igino Benvenuto Supino, including mor...
Supino’s extraordinary legacy, presented as a collection of documents in 1952 by the Critic’s heirs ...
Supino's legacy is an important history chapter of the collections of the Library named after him. T...
Igino Benvenuto Supino held the position of director of the Museo d'Arte Industriale of Bologna for ...
In Pisa, between 1891 and 1896, Supino decidedly took the path of historical-artistic research and o...
Fondatore del museo di Pisa nella chiesa e convento di San Francesco, diventa quindi direttore del M...
Igino Benvenuto Supino held the position of director of the Museo d'Arte Industriale of Bologna for ...
Il volume, a cura di Marinella Pigozzi con la collaborazione della Biblioteca e Fototeca “Igino Benv...
none1noSi tratta di sette schede di catalogo relative alla mostra che si è tenuta nel Dipartimento d...
Supino's legacy is an important history chapter of the collections of the Library named after him. T...
The paper touches upon some issues that have filled the critical debate raised around the art histor...
Analisi degli studi compiuti dallo storico dell'arte Igino Benvenuto Supino sui principali monumenti...
Igino Benvenuto Supino e Carlo Volpe hanno legato il loro nome all’istituto di Storia dell’arte dell...