From its very beginning down to Hellenistic and Imperial times, the character of Aesop, the eponymous author of fables, is constructed among others by means of some differential features shared with a different cultural agent, the Philosopher. This development is supported by the rhetorical and literary exploitation of the Aesopic genre, conceived as a kind of alternative and often polemical discourse. This image becomes final in the fictitious late biography known as the Vita Aesopi, which represents Aesop as an apparent “anti-philosopher” who indeed strives to assert some authentically philosophical values
Four fable books survive from Greco-Roman antiquity: (1) the Life and Fables of Aesop (1st-2nd centu...
Phaedrus places this fable (I 2) within a framework in which Aesopus is the teller of it to the Athe...
The article offers some remarks on a recently published volume collecting Antonio La Penna’s papers ...
Depuis son apparition jusqu’à l’époque hellénistique et impériale, le personnage d’Ésope, auteur épo...
Aesop is a peculiar authorial figure: Although no birthplace, fable, event, or anecdote can be secur...
En équilibre instable entre le domaine du grammairien et du rhéteur, la «fable ésopique» - tradition...
The paper analyses the famous portrait of Aesop opening the Vita Aesopi. Its linguistic and stylisti...
Scholars of European fable history over and over again have returned to the question of a possible d...
The article reviews how Aesopian literature’s legacy – "Fancy" and didactics of "Wisdom" were assim...
Le Roman d’Ésope, anonyme et écrit probablement entre la fin du Ie siècle et le IVe siècle de notre ...
Aesopic fables constitute an important case in popular literature. This genre went through various s...
The Life of Aesop is a comic biography, firstly because most of the text is concerned with the exper...
In 1489 Johan Hurus printed the first collection of fables in Spain, Lavida del Ysopetconsusfabulas ...
International audienceThe Life of Aesop is a comic biography, firstly because most of the text is co...
Taking as its starting point the scholarly discussion about the possible death of the Aesopic fable ...
Four fable books survive from Greco-Roman antiquity: (1) the Life and Fables of Aesop (1st-2nd centu...
Phaedrus places this fable (I 2) within a framework in which Aesopus is the teller of it to the Athe...
The article offers some remarks on a recently published volume collecting Antonio La Penna’s papers ...
Depuis son apparition jusqu’à l’époque hellénistique et impériale, le personnage d’Ésope, auteur épo...
Aesop is a peculiar authorial figure: Although no birthplace, fable, event, or anecdote can be secur...
En équilibre instable entre le domaine du grammairien et du rhéteur, la «fable ésopique» - tradition...
The paper analyses the famous portrait of Aesop opening the Vita Aesopi. Its linguistic and stylisti...
Scholars of European fable history over and over again have returned to the question of a possible d...
The article reviews how Aesopian literature’s legacy – "Fancy" and didactics of "Wisdom" were assim...
Le Roman d’Ésope, anonyme et écrit probablement entre la fin du Ie siècle et le IVe siècle de notre ...
Aesopic fables constitute an important case in popular literature. This genre went through various s...
The Life of Aesop is a comic biography, firstly because most of the text is concerned with the exper...
In 1489 Johan Hurus printed the first collection of fables in Spain, Lavida del Ysopetconsusfabulas ...
International audienceThe Life of Aesop is a comic biography, firstly because most of the text is co...
Taking as its starting point the scholarly discussion about the possible death of the Aesopic fable ...
Four fable books survive from Greco-Roman antiquity: (1) the Life and Fables of Aesop (1st-2nd centu...
Phaedrus places this fable (I 2) within a framework in which Aesopus is the teller of it to the Athe...
The article offers some remarks on a recently published volume collecting Antonio La Penna’s papers ...