The poetic of Nespolo’s first artistic period of production is characterized by an intensive conceptualist approach based on activism, social contestation and on the use of objects and materials. These are artistic activities characterised by a critical reflection on action and on the use and consequences of art
In this paper I try to shed light on the relationship between Ugo Nespolo and the Fluxus group, whic...
An analysis of three pictorial works by Ugo Nespolo is put forward: Barbe posticce (1977); Guardar M...
The ascension of art to the category of liberal art at the beginning of the fifteenth century in Eur...
Avant-gardist but at the same time critic toward Arte Povera and Conceptual Art, Nespolo express a l...
A creative attitude based on an “open mind approach” toward art, on a stylistic salience of images a...
The combination of single material elements characterises Nespolo’s artworks since the 60s. The prim...
A reciprocal symmetry between art and culture, the reductionism and the impoverishment of the artist...
Deliberately with the elaboration of his late 60s’ artworks Nespolo adopts a fragmentary approach to...
Contrary to the typical trend of contemporary art, according to which the invention matters more tha...
Written on the occasion of Ugo Nespolo’s first exhibition, this paper is about his activity as a pai...
In the field of social objects, in the hierarchy of values (and often of prices) a special place is ...
Ugo Nespolo (1941) ha attraversato gli ultimi cinquant’anni sperimentando in quasi tutti i campi del...
On the background of Nespolo’s cinema there are on the one hand the new rules and the new structures...
Game has a central role in Nespolo’s art. Irony and caricature are the main stylistic features decis...
Nespolo’s artworks of the late 60s are conceivable as heritage of Dada. Objects and materials are co...
In this paper I try to shed light on the relationship between Ugo Nespolo and the Fluxus group, whic...
An analysis of three pictorial works by Ugo Nespolo is put forward: Barbe posticce (1977); Guardar M...
The ascension of art to the category of liberal art at the beginning of the fifteenth century in Eur...
Avant-gardist but at the same time critic toward Arte Povera and Conceptual Art, Nespolo express a l...
A creative attitude based on an “open mind approach” toward art, on a stylistic salience of images a...
The combination of single material elements characterises Nespolo’s artworks since the 60s. The prim...
A reciprocal symmetry between art and culture, the reductionism and the impoverishment of the artist...
Deliberately with the elaboration of his late 60s’ artworks Nespolo adopts a fragmentary approach to...
Contrary to the typical trend of contemporary art, according to which the invention matters more tha...
Written on the occasion of Ugo Nespolo’s first exhibition, this paper is about his activity as a pai...
In the field of social objects, in the hierarchy of values (and often of prices) a special place is ...
Ugo Nespolo (1941) ha attraversato gli ultimi cinquant’anni sperimentando in quasi tutti i campi del...
On the background of Nespolo’s cinema there are on the one hand the new rules and the new structures...
Game has a central role in Nespolo’s art. Irony and caricature are the main stylistic features decis...
Nespolo’s artworks of the late 60s are conceivable as heritage of Dada. Objects and materials are co...
In this paper I try to shed light on the relationship between Ugo Nespolo and the Fluxus group, whic...
An analysis of three pictorial works by Ugo Nespolo is put forward: Barbe posticce (1977); Guardar M...
The ascension of art to the category of liberal art at the beginning of the fifteenth century in Eur...
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