Don DeLillo’s Cosmopolis (2003) portrays, among other things, New York as a postmodern city. DeLillo’s fiction above all probes how contemporary American consciousness is largely shaped by the incursion of technology into daily life. In DeLillo’s novels, technology figures as largely determining the possibilities of action and influencing the very nature of perception. As such, we argue, Cosmopolis could be read rewardingly through Paul Virilio’s theories. The objective is to examine the portrayal of New York as a postmodern city in the novel through Virilio’s theorization of technology and its concomitant dromology
12 pagesInternational audienceThrough the ekphrastic descriptions occurring in Underworld, Don DeLil...
The car as a \u201cmobile chronotope\u201d: Automobility as everyday urban practice in Don DeLillo\u...
The more we move onward in America's history, the more the effect of technology and science can be f...
More than any other major American author, Don DeLillo has examined the manner in which contemporary...
Don DeLillo’s White Noise depicts a world of rapid techno-scientific and economical changes. Paul Vi...
In the following paper, I will examine the portrayal of technology and capitalism (cyber-capitalism)...
grantor: University of TorontoDon DeLillo distills common premises about the postmodern er...
Twentieth-century discourses on subjectivity and the city tend to privilege the abstract over the ma...
This study discusses works by Martin Amis and Don DeLillo in the context of several key scientific ...
This article examines the changing representation of technology in three of DeLillo’s novels, White ...
Based on a close reading of Don DeLillo’s Cosmopolis, the concept of time has been explored from thr...
This thesis explores DeLillo's four novels - White Noise, Libra, Underworld and Falling Man with reg...
In books such as The Aesthetics of Disappearance, War and Cinema, The Lost Dimension, and The Vision...
In Don De Lillo’s Cosmopolis (2003), Eric Packer is a young multi-billionaire who inhabits a homogen...
This thesis is concerned with the contemporary problematics associated with the representation of li...
12 pagesInternational audienceThrough the ekphrastic descriptions occurring in Underworld, Don DeLil...
The car as a \u201cmobile chronotope\u201d: Automobility as everyday urban practice in Don DeLillo\u...
The more we move onward in America's history, the more the effect of technology and science can be f...
More than any other major American author, Don DeLillo has examined the manner in which contemporary...
Don DeLillo’s White Noise depicts a world of rapid techno-scientific and economical changes. Paul Vi...
In the following paper, I will examine the portrayal of technology and capitalism (cyber-capitalism)...
grantor: University of TorontoDon DeLillo distills common premises about the postmodern er...
Twentieth-century discourses on subjectivity and the city tend to privilege the abstract over the ma...
This study discusses works by Martin Amis and Don DeLillo in the context of several key scientific ...
This article examines the changing representation of technology in three of DeLillo’s novels, White ...
Based on a close reading of Don DeLillo’s Cosmopolis, the concept of time has been explored from thr...
This thesis explores DeLillo's four novels - White Noise, Libra, Underworld and Falling Man with reg...
In books such as The Aesthetics of Disappearance, War and Cinema, The Lost Dimension, and The Vision...
In Don De Lillo’s Cosmopolis (2003), Eric Packer is a young multi-billionaire who inhabits a homogen...
This thesis is concerned with the contemporary problematics associated with the representation of li...
12 pagesInternational audienceThrough the ekphrastic descriptions occurring in Underworld, Don DeLil...
The car as a \u201cmobile chronotope\u201d: Automobility as everyday urban practice in Don DeLillo\u...
The more we move onward in America's history, the more the effect of technology and science can be f...