The museum of the history of immigration opened its doors in the Palais de la Porte dorée in 2007, without pre-existent collection. Today, the moving pictures are very present in the permanent exhibition called "Repères", under the shape of photographic movies, archives images, filmed testimonies and contemporary artists videos. Describing these devices we want to show that frontiers between disciplines and its approaches to transmit an immaterial heritage are not seals. Above all such an heritage is not obtain by the most expected disciplines (history, sociology), but by a more surprising couple: ethnology and contemporary art
This article compares two exhibitions on immigration in French museums: Repères [Landmarks] and D’Is...
The dislocation of images in motion from screening rooms to museum rooms has been addressed in terms...
For over three decades, ethnographic museums have been engaged in a process of redefining both their...
With globalization and the emergence of new immigration policies in the European Community, the ques...
Le musée de l’histoire de l’immigration ouvre au palais de la Porte Dorée en 2007, sans collection p...
Collecting “individual stories” to establish the “shared history” of immigration in France is one of...
Dans les transports en commun, dans les grandes surfaces ou dans les foyers, les écrans se sont mult...
En tant qu’institutions mémorielles, les musées jouent un grand rôle dans la construction identit...
As memorial institutions, museums play a big role in identity construction, with representations of ...
Immigration generates negative heritage: the role of the museum Immigration museums will not conceal...
From the origin of cinematograph, many where those who went out of Europe to film otherness. The foo...
From the beginning, the Cité nationale de l’Histoire de l’immigration (CNHI) project was plagued by ...
On 10th October 2007, France's first museum of immigration finally opens its doors after many years ...
Esta dissertação elegeu como objetos de estudo dois museus que versam sobre a temática da imigração:...
Grâce au panel d’expériences très divers, ce dossier nous fournit des éléments stimulants pour de no...
This article compares two exhibitions on immigration in French museums: Repères [Landmarks] and D’Is...
The dislocation of images in motion from screening rooms to museum rooms has been addressed in terms...
For over three decades, ethnographic museums have been engaged in a process of redefining both their...
With globalization and the emergence of new immigration policies in the European Community, the ques...
Le musée de l’histoire de l’immigration ouvre au palais de la Porte Dorée en 2007, sans collection p...
Collecting “individual stories” to establish the “shared history” of immigration in France is one of...
Dans les transports en commun, dans les grandes surfaces ou dans les foyers, les écrans se sont mult...
En tant qu’institutions mémorielles, les musées jouent un grand rôle dans la construction identit...
As memorial institutions, museums play a big role in identity construction, with representations of ...
Immigration generates negative heritage: the role of the museum Immigration museums will not conceal...
From the origin of cinematograph, many where those who went out of Europe to film otherness. The foo...
From the beginning, the Cité nationale de l’Histoire de l’immigration (CNHI) project was plagued by ...
On 10th October 2007, France's first museum of immigration finally opens its doors after many years ...
Esta dissertação elegeu como objetos de estudo dois museus que versam sobre a temática da imigração:...
Grâce au panel d’expériences très divers, ce dossier nous fournit des éléments stimulants pour de no...
This article compares two exhibitions on immigration in French museums: Repères [Landmarks] and D’Is...
The dislocation of images in motion from screening rooms to museum rooms has been addressed in terms...
For over three decades, ethnographic museums have been engaged in a process of redefining both their...