Contrary to the typical trend of contemporary art, according to which the invention matters more than the material execution, Nespolo’s artistic practice is characterized by a primacy of the mastery of manual working. Nespolo’s poetic is not the mere affirmation of his ironic attitude but rather a kind of postmodern liberation based on the recovery of visual forms, including traditional ones. His artworks exhibit an affectionate attitude toward things. Through this attitude artwork becomes a way, not tragic and neither pathetic, of living the experience of mortality
The relationship between death and artistic creativity has always been an interesting and important ...
Carlo Vidoni\u2019s artwork fulfils a two-fold need. Firstly, it responds to the fundamental need of...
The representation of the artist is generally that of a nonconformist, a lonely Bohemian eager to re...
Contrary to the typical trend of contemporary art, according to which the invention matters more tha...
Avant-gardist but at the same time critic toward Arte Povera and Conceptual Art, Nespolo express a l...
A creative attitude based on an “open mind approach” toward art, on a stylistic salience of images a...
Deliberately with the elaboration of his late 60s’ artworks Nespolo adopts a fragmentary approach to...
The poetic of Nespolo’s first artistic period of production is characterized by an intensive concept...
In the field of social objects, in the hierarchy of values (and often of prices) a special place is ...
On the background of Nespolo’s cinema there are on the one hand the new rules and the new structures...
The combination of single material elements characterises Nespolo’s artworks since the 60s. The prim...
Game has a central role in Nespolo’s art. Irony and caricature are the main stylistic features decis...
A reciprocal symmetry between art and culture, the reductionism and the impoverishment of the artist...
Ugo Nespolo (1941) ha attraversato gli ultimi cinquant’anni sperimentando in quasi tutti i campi del...
An analysis of three pictorial works by Ugo Nespolo is put forward: Barbe posticce (1977); Guardar M...
The relationship between death and artistic creativity has always been an interesting and important ...
Carlo Vidoni\u2019s artwork fulfils a two-fold need. Firstly, it responds to the fundamental need of...
The representation of the artist is generally that of a nonconformist, a lonely Bohemian eager to re...
Contrary to the typical trend of contemporary art, according to which the invention matters more tha...
Avant-gardist but at the same time critic toward Arte Povera and Conceptual Art, Nespolo express a l...
A creative attitude based on an “open mind approach” toward art, on a stylistic salience of images a...
Deliberately with the elaboration of his late 60s’ artworks Nespolo adopts a fragmentary approach to...
The poetic of Nespolo’s first artistic period of production is characterized by an intensive concept...
In the field of social objects, in the hierarchy of values (and often of prices) a special place is ...
On the background of Nespolo’s cinema there are on the one hand the new rules and the new structures...
The combination of single material elements characterises Nespolo’s artworks since the 60s. The prim...
Game has a central role in Nespolo’s art. Irony and caricature are the main stylistic features decis...
A reciprocal symmetry between art and culture, the reductionism and the impoverishment of the artist...
Ugo Nespolo (1941) ha attraversato gli ultimi cinquant’anni sperimentando in quasi tutti i campi del...
An analysis of three pictorial works by Ugo Nespolo is put forward: Barbe posticce (1977); Guardar M...
The relationship between death and artistic creativity has always been an interesting and important ...
Carlo Vidoni\u2019s artwork fulfils a two-fold need. Firstly, it responds to the fundamental need of...
The representation of the artist is generally that of a nonconformist, a lonely Bohemian eager to re...